Granada and the Alhambra: A brief description of the ancient city of Granada, with a particular account of the Moorish palaceCalvert, Albert Frederick
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Granada and the Alhambra: A brief description of the ancient city of Granada, with a particular account of the Moorish palace
Calvert, Albert Frederick
Alhambra (Granada, Spain); Art -- Spain -- Granada; Granada (Spain) -- Description and travel
On the south side of the Patio de los Leones is the Sala de los
Abencerrages (Hall of the Beni Serraj), so called because it is believed
to be the scene of the massacre of thirty-six chiefs of that tribe by
order of Boabdil. A reddish vein in the marble flooring is pointed out
as the victims’ indelible bloodstains. The story has only the slenderest
historical foundation, and was first circulated by a writer of the name
of Ginés Perez de Hita, who lived in the sixteenth century. According to
some, the usurper Aben Osmin (1446) was beheaded here by order of the
prince Muley Hassan; but others, writing of that confused period of
Granadine history, say the tyrant fled to the mountains. This chamber,
perhaps the most elegant in the Alhambra, does not seem a likely place
for deeds of blood. It is entered through a wonderfully graceful arch,
growing out of, rather than springing from, marble shafts. The chamber
is a square, prolonged on the east and west by two _alhamis_ or alcoves,
which are entered through exquisitely-curved arches. But the glory of
the Sala de los Abencerrages is its roof--its plan like that of a star,
with pendants or stalactites, and sixteen windows in its vaultings.
“Its thousand stalactites,” writes Don Francisco Pi Margall, “its
colours, its innumerable archings, its crowns of stars, its complicated
depressions and projections, its cones, its polygons, its accidents of
light, the effects of chiaroscuro, present it at first sight as
something confused, indefinable, indecipherable, resplendent, and vague,
like that broad band, the Milky Way, which crosses the pavilion of the
heavens. Yet in reality it is most regular, although irregular in
appearance; the compass of the geometrician had more to do in planning
it than the genius of the artist; but its lines are so many, and their
combinations change so rapidly, that the scheme is only to be
comprehended after a long and patient study.”
The azulejos which face the walls date from the time of Charles V. In
the centre of the hall is the marble basin beside which the Beni Serraj
are fabled to have been slain.
Public-domain text, read in full here on John Shaqi.
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