Gray Lady and the Birds: Stories of the Bird Year for Home and SchoolWright, Mabel Osgood
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Gray Lady and the Birds: Stories of the Bird Year for Home and School
Wright, Mabel Osgood
Birds -- Juvenile literature; Birds -- New England
“I’m glad that you asked that question,” said Gray Lady, “because it is
one of the special points about Ostrich feathers that should be made
known to every one. If they waited for the feathers to be shed, they
would be worn and broken. You all know how very shabby the long
tail-feathers of a rooster become before the summer moulting time. When
Ostriches were first raised in confinement, their owners used to pluck
out the plumes. But they soon found that not only was this troublesome,
for the pain of it made the birds struggle, but the next crop of
feathers suffered in consequence. Nature has reasons for everything she
plans and there is evidently some substance in the butt of the old quill
that, by keeping the skin soft and open, prepares the way for the new
one that is to follow and causes it to be of better quality.
“Now the plumes are clipped off, and later on the stubs, which are then
dry, come out easily. The feathers of these birds are much fuller and
finer than those that came from the wild Ostriches.
“The picture shows an Ostrich in the little three-cornered pen with the
men holding up the tufts and preparing to snip off the feathers. The pen
is made in this shape so that there will be standing-room for the men,
but not room enough for the Ostrich to turn round and kick forward. A
hood shaped like a stocking is drawn over his head, and he is perfectly
quiet, for he feels no pain and no blood is drawn.
“Now you can judge for yourselves that Ostrich feathers may be safely
worn by every one who likes beautiful things, for certainly there are no
feathers so graceful as a sweeping Ostrich plume with the ends slightly
curled.
“In addition to the fact that the growing and taking of these feathers
is perfectly humane, their use encourages a large industry which gives
employment to many people here in _our own country_.”
“I wish my ma had an Ostrich plume in her Sunday hat instead of that
mean egret,” sighed Eliza Clausen, half to herself. “I can take the
smaller wings out of mine and leave the ribbon, but the feather’s the
whole topknot of ma’s.”
Softly as Eliza had spoken, her words could be heard in the silence that
came when the reader closed her scrap-book.
“Bravo! bravo! little girl,” said Gray Lady, smiling so brightly that
Eliza forgot to be embarrassed. “You see that your mother was right when
she said, ‘When people get to hearing about birds they stop caring to
wear them in their hats,’ even though she did not mean it quite in this
way. Very few people would wear the cruel kind of feathers if they only
understood. I will give you a pretty little Ostrich tuft to take to your
mother in exchange for the egret, when you explain to her about it, and
I’m sure Anne can find something among Goldilocks’ boxes to replace your
Swallow’s wings.”
Eliza’s eyes sparkled, and all signs of resentment left her face.
Public-domain text, read in full here on John Shaqi.
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