Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
During their earlier interviews he had carried Amory entirely off her
feet. Though his tongue had cautioned and disclaimed, there had been
no resisting the promise of his eye. Croziers' were going to take her
up, and--well, at the present stage "Mr. Towers" (ha, ha) would quite
understand that Mr. Dix did not want to say too much about it.--But his
very reticence had seemed a guarantee. It was not to be supposed that
Messrs. Crozier took people up without a certain amount of belief in
them.... And that had kept Amory's head in the clouds for quite a long
time.... But little by little it had dawned on Amory that time seemed
of very little value to Messrs. Crozier. A thousand years in their
sight--or two years, to be precise--was but as yesterday. Delay after
delay had occurred; Messrs. Crozier had not judged this time to be
quite ripe, had considered that market to be a little overstocked; it
was necessary, if the success was to be made for which they hoped, that
the time should be chosen to the hour; and so on and so forth.--"You're
far from being old yet, if I may say so without offence, Miss Towers,"
Mr. Dix had remarked, rolling his eye over Amory's small, straight
little figure, as if the organ had been mounted on an universal
joint....
But lately it had looked as if things really were in motion again.
Amory had had several letters with the Crozier embossing on the
envelope flap, asking her to state at once in what state of advancement
her works were, and once she had even had a prepaid telegram.... Then
things had slowed up once more, and Amory had fumed.
Then, on a morning in May, a hansom cab drew up at the greengrocer's in
Cheyne Walk, and Mr. Hamilton Dix, seeing Amory look out of the window,
had waved his plump hand. He blundered up the stairs, and told Amory
that he wished to see the canvases themselves, at once; at once, mind
you.... There were between twenty-five and thirty of these canvases;
they were stacked round the walls like the slates in a builder's yard;
and Mr. Dix rolled his eye over them as Amory set them, one after
another, on her easel. Then he rolled the eye over Amory herself again.
Again Amory somehow had the impression of gluten. It was as if the eye
had left traces where it had rested.
"Excellent. Admirable. Very choice. Very good indeed," said Mr. Dix.
"And now, Miss Towers, I'm afraid I've a disappointment for you."
If Mr. Dix spoke of a disappointment it was sure not to be so bad as
it sounded. Amory watched him a little anxiously, however. Another
postponement would be really too bad.
"It's the old difficulty, the difficulty of fitting in the dates," Mr.
Dix said. "Mr. Hugh Crozier is deeply apologetic about it; he's quite
as much disappointed as you can possibly be; but--well, I see I shall
have to tell you a secret that must on no account pass these four
walls."
Mr. Dix told his secret. It was that Herbertson, the brilliant
pastelist, was not expected to live through the week.
Public-domain text, read in full here on John Shaqi.
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