David Goldman, the father of Edwin, was also a brilliant pianist and violinist, but as an amateur only. He devoted his life to the profession of law. He was highly educated, widely traveled and very prominent in his field. Having descended from such a family, it is small wonder that from his earliest boyhood young Edwin dreamed that some day he would become a great musician. The Goldman family moved to Evansville, Indiana, later to Terre Haute. When Edwin was eight years old they left the middle west to live in New York City. Through his admittance to the public school band Edwin had obtained possession of a cornet. His faithful practicing nearly drove the neighborhood to distraction. Even his devoted family protested at the labored trills, runs and scales. But deaf to all criticism, the boy persisted. Before very long Edwin was asked to play at all the neighborhood parties, and his music was the pride of his school. He was voted the most popular boy in his class and received a prize for excellent playing when he was graduated. At fourteen, Edwin Franko Goldman won a scholarship at the National Conservatory of Music where he studied composition under the great Antonin Dvorak. Next year, Jules Levy then the world’s greatest cornetist, hearing Edwin play, gave him an approving pat on the back as he said, “Someday you will be a great cornetist--you put your whole soul into the tones.” Levy, realizing the boy’s talent was happy to take him as a free pupil. Two years later--at seventeen--Dr. Walter Damrosch chose Edwin Franko Goldman to be the solo cornet player in the Metropolitan Opera House Orchestra. “The Baby of the Met,” the players called him; he was so small and so young. In fact, he was the youngest musician ever to hold such an important place in that great organization. There Goldman had the privilege of playing under the direction of Mahler, Hertz and for a while, under Toscanini. For ten full years Edwin Goldman held this position. In the meantime he organized and directed small orchestras which were then in popular demand. Later on he began to play in various bands during his vacations at the Metropolitan. In 1912 he announced that he was going to give up his work in the Metropolitan Opera House organization. His family and friends disapproved and objected. “What do you intend to do?” they asked. Goldman would not give them a direct answer. He had an idea, but he was not ready to disclose it. He began to teach the cornet and the trumpet. He attracted pupils from all parts of the United States and even from some countries in Europe. Goldman’s warm, magnetic personality combined with his outstanding musical ability made him a marvelous teacher.