Great Musical Composers: German, French, and ItalianFerris, George T. (George Titus)
History
Great Musical Composers: German, French, and Italian
Ferris, George T. (George Titus)
Composers
The public, as we have said, was enthusiastic; but such a full banquet
of severe orchestral music was a severe trial to many, and not a few
heads would keep time to the music by steady nods during the slow
movements. Haydn, therefore, composed what is known as the "Surprise"
symphony. The slow movement is of the most lulling and soothing
character, and about the time the audience should be falling into its
first snooze, the instruments having all died away into the softest
_pianissimo_, the full orchestra breaks out with a frightful BANG. It
is a question whether the most vigorous performance of this symphony
would startle an audience nowadays, accustomed to the strident effects
of Wagner and Liszt. A wag in a recent London journal tells us,
indeed, that at the most critical part in the work a gentleman opened
one eye sleepily and said, "Come in."
Simple-hearted Haydn was delighted at the attention lavished on him in
London. He tells us how he enjoyed his various entertainments and
feastings by such dignitaries as William Pitt, the Lord Chancellor,
and the Duke of Lids (Leeds). The gentlemen drank freely the whole
night, and the songs, the crazy uproar, and smashing of glasses were
very great. He went down to stay with the Prince of Wales (George
IV.), who played on the violoncello, and charmed the composer by his
kindness. "He is the handsomest man on God's earth. He has an
extraordinary love of music, and a great deal of feeling, but very
little money."
To stem the tide of Haydn's popularity, the Italian faction had
recourse to Giardini; and they even imported a pet pupil of Haydn,
Pleyel, to conduct the rival concerts. Our composer kept his temper,
and wrote, "He [Pleyel] behaves himself with great modesty." Later we
read, "Pleyel's presumption is a public laughing-stock;" but he adds,
"I go to all his concerts and applaud him."
Far different were the amenities that passed between Haydn and
Giardini. "I won't know the German hound," says the latter. Haydn
wrote, "I attended his concert at Ranelagh, and he played the fiddle
like a hog."
Among the pleasant surprises Haydn had in England was his visit to
Herschel, the great astronomer, in whom he recognised one of his old
oboe-players. The big telescope amazed him, and so did the patient
star-gazer, who often sat out-of-doors in the most intense cold for
five or six hours at a time.
Our composer returned to Vienna in May 1795, with the little fortune
of 12,000 florins in his pocket.
V.
Public-domain text, read in full here on John Shaqi.
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