Great Musical Composers: German, French, and ItalianFerris, George T. (George Titus)
History
Great Musical Composers: German, French, and Italian
Ferris, George T. (George Titus)
Composers
Haydn is illustrious in the history of art as a complete artistic
life, which worked out all of its contents as did the great Goethe. In
the words of a charming writer: "His life was a rounded whole. There
was no broken light about it; it orbed slowly, with a mild, unclouded
lustre, into a perfect star. Time was gentle with him, and Death was
kind, for both waited upon his genius until all was won. Mozart was
taken away at an age when new and dazzling effects had not ceased to
flash through his brain: at the very moment when his harmonies began
to have a prophetic ring of the nineteenth century, it was decreed
that he should not see its dawn. Beethoven himself had but just
entered upon an unknown 'sea whose margin seemed to fade forever and
forever as he moved;' but good old Haydn had come into port over a
calm sea and after a prosperous voyage. The laurel wreath was this
time woven about silver locks; the gathered-in harvest was ripe and
golden."
_MOZART._
I.
The life of WOLFGANG AMADEUS MOZART, one of the immortal names in
music, contradicts the rule that extraordinary youthful talent is apt
to be followed by a sluggish and commonplace maturity. His father
entered the room one day with a friend, and found the child bending
over a music score. The little Mozart, not yet five years old, told
his father he was writing a concerto for the piano. The latter
examined it, and tears of joy and astonishment rolled down his face on
perceiving its accuracy.
"It is good, but too difficult for general use," said the friend.
"Oh," said Wolfgang, "it must be practised till it is learned. This is
the way it goes." So saying, he played it with perfect correctness.
About the same time he offered to take the violin at a performance of
some chamber music. His father refused, saying, "How can you? You have
never learned the violin."
"One needs not study for that," said this musical prodigy; and taking
the instrument, he played second violin with ease and accuracy. Such
precocity seems almost incredible, and only in the history of music
does it find any parallel.
Born in Salzburg, 27th January 1756, he was carefully trained by his
father, who resigned his place as court musician to devote himself
more exclusively to his family. From the earliest age he showed an
extraordinary passion for music and mathematics, scrawling notes and
diagrams in every place accessible to his insatiate pencil.
Public-domain text, read in full here on John Shaqi.
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