Great Singers, Second Series: Malibran To TitiensFerris, George T. (George Titus)
History
Great Singers, Second Series: Malibran To Titiens
Ferris, George T. (George Titus)
Singers -- Biography
He returned again to Naples after an absence of twelve years, and
created a grand sensation at the San Carlo by his singing of _Assur_,
in "Semiramide." The Neapolitans loaded him with honors, and sought to
retain him in his native city, but this "pent-up Utica" could not hold
a man to whom the most splendid rewards of his profession were offering
themselves. Lablache made his first appearance in London, in 1830, in
"Il Matrimonio Segreto," and almost from his first note and first step
he took an irresistible hold on the English public, which lasted for
nearly a quarter of a century. It perplexed his admirers whether he was
greater as a singer or as an actor. We are told that he "was gifted with
personal beauty to a rare degree. A grander head was never more grandly
set on human shoulders; and in his case time and the extraordinary and
unwieldy corpulence which came with time seemed only to improve the
Jupiter features, and to enhance their expression of majesty, or
sweetness, or sorrow, or humor as the scene demanded." His very tall
figure prevented his bulk from appearing too great. One of his boots
would have made a small portmanteau, and one could have clad a child
in one of his gloves. So great was his strength that as _Leporello_
he sometimes carried off under one arm a singer of large stature
representing _Masetto_, and in rehearsal would often for exercise
hold a double bass out at arm's length. The force of his voice was
so prodigious that he could make himself heard above any orchestral
thunders or chorus, however gigantic. This power was rarely put
forth, but at the right time and place it was made to peal out with a
resistless volume, and his portentous notes rang through the house
like the boom of a great bell. It was said that his wife was sometimes
aroused at night by what appeared to be the fire tocsin, only to
discover that it was her recumbent husband producing these bell-like
sounds in his sleep. The vibratory power of his full voice was so great
that it was dangerous for him to sing in a greenhouse.
Public-domain text, read in full here on John Shaqi.
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