Only rarely, when the monsters are ritualistically engaged in watering a sacred palm tree or column,[74.3] does the religious question arise. And here we may find a parallelism in Assyrian religious art, in the representation of “winged genii fertilising the adult palms with the male cones”; but according to Sir Arthur Evans this motive is later in the Eastern art than in the Mycenaean. Perhaps only one type of monster found on these gems and seals is derived from a real theriomorphic figure of the contemporary religion, namely, the Minotaur {75} type. A few of the Zakro sealings show the sealed figure of a human body with bovine head, ears, and tail[75.1]; and a clay seal-impression found at Knossos presents a bovine human figure with possibly a bovine head sealed in a hieratic attitude before a warrior in armour.[75.2] Such archaeological evidence is precarious, but when we compare it with the indigenous Cretan legends of the bull-Zeus and the union of Pasiphae with the bull, we are tempted to believe that a bull-headed god or a wholly bovine deity had once a place in Minoan cult. To conclude, this brief survey of the Minoan-Mycenaean monuments points to a contemporary religion that preferred the aniconic agalma to the human idol, but imagined the divinity mainly as anthropomorphic, though this imagination was probably not so fixed as to discard the theriomorphic type entirely. Therefore this religion is on the same plane with that of Mesopotamia rather than with that of Egypt.