Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
The journey to Bassæ from Andritsæna is very similar, though too short
to be laborious. It conducts to a scene of the most impressive solitude,
at an elevation of nearly 4000 feet, commanding a magnificent view both
of land and sea, including Mt. Ithome and the great Messenian plain. In
the Temple of Bassæ, dedicated to Apollo in this secluded spot by the
people of Phigalia, which was six miles distant, the beauty of art seems
to vie with the grandeur of nature. The ruin is acknowledged by general
consent to be the finest in the Peloponnesus, though for centuries it
was known only to the shepherds in the neighbourhood. Designed by
Ictinus, one of the architects of the Parthenon, the structure has
weathered the storms of more than twenty-three centuries. Of the
thirty-eight Doric columns which surrounded the temple only three are
now wanting, and their architraves are almost intact. The frieze of the
_cella_ or inner chamber was discovered in 1812, and was purchased two
years afterwards by the British Government for £19,000--to be preserved
in the British Museum. On it are represented the battle between the
Greeks and the Amazons, and the fight between the Lapiths and the
Centaurs. The design is admirable, but the execution is so poor as to
suggest that the work was done by local sculptors. Though the frieze is
of marble, the temple generally was built of grey limestone quarried in
the neighbourhood. Unlike other Greek temples, which look to the east to
greet the rising sun, that of Bassæ faces the north. This is accounted
for by the fact that it was built over an older shrine, which, from the
nature of the rocky ledge on which it stood, could not be extended any
farther east and west. The old entrance, however, was still preserved,
and the image of the god still faced to the east. Pausanias tells us of
a bronze statue of Apollo, twelve feet high, which was removed from the
temple to Megalopolis and set up in the market-place, but it has long
since disappeared. The same writer conjectures that the temple was
erected in honour of Apollo Epicourios for having averted from Phigalia
the plague with which Athens was visited during the Peloponnesian War.
But it is considered more likely to have been a general tribute to the
god on account of the health-giving breezes which play over the spot,
and which no doubt made it a favourite resort for the invalids of the
district.
Public-domain text, read in full here on John Shaqi.
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