Greece: Painted by John Fulleylove; described by J.A. McClymont — John Shaqi
Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
According to the ancient traveller just mentioned, the civilisation of
Arcadia dates from the time of Arcas, who introduced cereal crops and
taught his subjects to spin wool and weave cloth. Here, as elsewhere in
Greece, it is no uncommon thing to see women spinning thread and herding
sheep or goats at the same time, while indoors you may find them busy at
the loom weaving cloth for family use, following the good example set of
old both by Helen and Penelope. Unfortunately, women are also much in
evidence in the fields and on the country roads, doing work which in
this country would be left to men--even such heavy work as breaking
stones. The men seem to be much fonder of taking their ease than the
other sex, and show more vanity in their dress. The Albanian costume,
which is the uniform worn by the eight battalions of Riflemen, called
Evzoni, who guard the frontier, is much affected by those who can afford
it in the country towns. Its most conspicuous features are the
fustanella kilt, made of a white linen of incredible length when
stretched out to its full extent, the embroidered vest, and the red
shoes with turned-up toes. The shepherds wear a sheepskin cloak without
any pretensions to elegance, but they trim their hair with great care,
ringlets frequently hanging over their brow. They wear a broad leathern
belt with innumerable receptacles, and one of the first things they will
show to a stranger who is curious to know what they carry about with
them is a small hand-mirror. They often amuse themselves and their
flocks by playing on the pipe, which they can make in a few minutes from
a bamboo cut in the field or plucked out of the roofing of their hut.
[Illustration: THE CASTLE OF KARYTÆNA, IN ARCADIA
This is one of the most romantic scenes in the Peloponnesus, and is
aptly quoted by Curtius as no less characteristic of mediæval Greece
than Tiryns and Mycenæ are of the prehistoric age. The Castle covers the
summit of a free-standing mass of rock, rising up into the air (almost
like the central tower of a great English Cathedral) above a gorge with
precipitous red cliffs. To the right of the Castle lies the modern
town.]
CHAPTER V
SPARTA AND ITS DISCIPLINE
For centuries Sparta was the first military power in Greece. This
position it owed partly to the Dorian vigour of its inhabitants, and
partly to the strict discipline introduced by Lycurgus at a time when
the other Greek states had not yet awakened to the importance of that
military drill which was to contribute so largely to their influence. Of
these two sources of Spartan greatness we seem to have a recognition in
the fact mentioned by Pausanias that at the two bridges, on either side
of the place where the youths were in the habit of engaging in their
athletic contests, there was an image of Heracles and a statue of
Lycurgus, the one being the emblem of bodily strength, the other of
authority and rule.
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