The false overfold was sometimes attached also to the simple cylindrical Ionic chiton. In these cases it covered the chest only, leaving the arms covered only by the sleeves; it was probably simply sewn on at the neck in front only. Kalkmann has collected and stated the evidence for this false overfold to the chiton in an article in the _Jahrbuch_, vol. xi., where he shows that it was sometimes applied to the over-garment also. Very clear examples of it are to be seen in some of the archaic female statues on the Acropolis at Athens, especially in those cases where the himation is worn like a shawl over both shoulders.[120] [120] Nos. 687 and 688. That the long Ionic chiton with sleeves was worn by men as well as women, is abundantly evident from the monuments. On the vases, Zeus and Dionysus and other gods are almost invariably represented wearing it; and in sculpture also, kings, priests, and others are represented so dressed. Together with the himation, it probably constituted a sort of state dress for priests and other officials, even after it had been discarded for daily use, as being too luxurious. A short chiton, with or without sleeves, and made of some fine material, is to be found on the vases worn by men engaged in active pursuits. It sometimes has an overfold; although, with the long chiton, this feature is usually confined to women. A good example of the men’s short chiton with overfold is to be seen on the vase of Brygos representing the exploits of Theseus. The cross-bands and shoulder-cords already mentioned are, strictly speaking, an element of the Ionic chiton, though they are sometimes represented in art over the Doric peplos. Their object is to hold the ample folds of the full chiton close to the figure, and to prevent the sleeves from slipping or flapping about with every movement of the wearer. The cross-bands are usually attached to the girdle and can be of one piece with it; their place is sometimes taken by a second girdle, worn rather high over the kolpos, as is the case with the Artemis of Gabii reproduced below (Fig. 37). This high girdle was known as the ταινία, or ἀποδέσμος, whereas the low girdle was called περιζῶμα. A broad band, known as the στρόφιον, was sometimes worn by women under the breasts, to serve the purpose of modern corsets.[121] [121] B.M., Vase, E. 230.