Art, Greek; Greek drama -- History and criticism; Mythology, Greek
The central expression, then, of the story of Demeter and Persephone
is the Homeric hymn, to which Grote has assigned a date at least as
early as six hundred years before Christ. The one survivor of a whole
family of hymns on this subject, it was written, perhaps, for one of
those contests which took place on the seventh day of the Eleusinian
festival, and in which a bunch of [83] ears of corn was the prize;
perhaps, for actual use in the mysteries themselves, by the
Hierophantes, or Interpreter, who showed to the worshippers at
Eleusis those sacred places to which the poem contains so many
references. About the composition itself there are many difficult
questions, with various surmises as to why it has remained only in
this unique manuscript of the end of the fourteenth century.
Portions of the text are missing, and there are probably some
additions by later hands; yet most scholars have admitted that it
possesses some of the true characteristics of the Homeric style, some
genuine echoes of the age immediately succeeding that which produced
the Iliad and the Odyssey. Listen now to a somewhat abbreviated
version of it.
"I begin the song of Demeter"--says the prize-poet, or the
Interpreter, the Sacristan of the holy places--"the song of Demeter
and her daughter Persephone, whom Aidoneus carried away by the
consent of Zeus, as she played, apart from her mother, with the deep-
bosomed daughters of the Ocean, gathering flowers in a meadow of soft
grass--roses and the crocus and fair violets and flags, and
hyacinths, and, above all, the strange flower of the narcissus, which
the Earth, favouring the desire of Aidoneus, brought forth for the
first time, to snare the footsteps of the flower-like girl. A
hundred [84] heads of blossom grew up from the roots of it, and the
sky and the earth and the salt wave of the sea were glad at the scent
thereof. She stretched forth her hands to take the flower; thereupon
the earth opened, and the king of the great nation of the dead sprang
out with his immortal horses. He seized the unwilling girl, and bore
her away weeping, on his golden chariot. She uttered a shrill cry,
calling upon her father Zeus; but neither man nor god heard her
voice, nor even the nymphs of the meadow where she played; except
Hecate only, the daughter of Persaeus, sitting, as ever, in her cave,
half veiled with a shining veil, thinking delicate thoughts; she, and
the Sun also, heard her.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account