Admission was at first free, but the drama was so popular that the rush for seats caused much confusion; it is said that the more sedulous would secure places the night before. In the fifth century the custom arose of charging for admission, and making every one book in advance, save those dignitaries whose places were reserved. The price for one day was two obols (about threepence in weight, but of much greater purchasing power). At the end of that century this sum was paid by the State to any citizen who claimed it. The money allotted for this purpose was called the “theoric” fund (τὸ θεωρικόν, “money for the shows”), of which we hear so much in the speeches of Demosthenes. By his time the system had grown to a serious danger. Payments were made, not only for the original purpose, but for all the numerous festivals, and a law was actually passed that anyone who proposed to apply the fund in any other way should be put to death. Demosthenes represents the theoric fund and the Athenian affection for it as preventing Athens from supplying sufficient forces to check the growing menace from Philip of Macedonia. On paying in his two obols the spectator received a ticket of lead. The sums taken were appropriated by the lessee or _architecton_ who in consideration thereof kept the theatre in repair. As the auditorium was filled with many thousands of lively Southerners, who had to sit crammed together from sunrise till late in the day with no intermission, the question of good order might seem to have been a hopeless difficulty. It was not so. For, first, the occasion was religious, and to use blows in the theatre was a capital crime. Next, stewards (ῥαβδοφόροι, “rod-bearers”) were at hand to keep order among the choristers, who were numerous, seeing that each dithyrambic chorus consisted of fifty men. Finally, a good deal of exuberant behaviour was allowed. Serious disturbance occasionally happened: the high-spirited Alcibiades once had a bout at fisticuffs with a rival choregus, and the occasion of Demosthenes’ speech against Meidias was the blow which Meidias dealt the orator when the latter was choregus.