Green Spring Farm, Fairfax County, VirginiaNetherton, Ross De Witt
History
Green Spring Farm, Fairfax County, Virginia
Netherton, Ross De Witt
Green Spring Farm (Va.)
Soviet newspapers are bitter about the insincerity of American
visitors to their country. While in the USSR, they say, Americans
are lavish with their praise, but on returning home, they speak
quite differently of Russia to their fellow Americans. Our
newspapers in turn maintain that Soviet delegations to this
country wear a mask of friendliness but once back in Russia
present a hostile and unrecognizable picture of the United
States.
Do visiting Soviet delegations present a true picture of their
travels here to their own people? The editors of _The NR_ have
been given an opportunity to test this question. A delegation of
leading Soviet writers visited the United States in October, 1955,
under the chairmanship of Boris Kampov-Polevoy, a Soviet novelist
and Secretary of the Union of Soviet Writers. Mr. Polevoy and four
members of his delegation spent one evening at the house of the
_NR_ editor-at-large. In the third of his articles on his journeys
through the US published in the March issue of the Soviet monthly,
_Oktyabr_, Mr. Polevoy describes the occasion as he remembers it.
A translation of his article, and our comments follow.
In the evening we were invited to be the guests of Mr. Michael
Straight, editor of the magazine _The New Republic_, at his
out-of-town villa bearing the poetic name of "Green Spring Farm." This
tiny villa was in no way different from the small suburban houses of
well-to-do members of the "intelligentsia" which we already had the
opportunity of visiting. Alone the huge agglomeration of books on long
shelves--quite unusual for an American home--and the beautiful
pictures on the walls revealed that the owners of this house had a
passion for literature and an artistic taste which could enable them
to discriminate between works of genuine art and the militant
flatness, which under the mask of innovationism has impertinently
seized the key positions in American art. There were canvasses and
drawings which not only prompted one to wonder on passing by, but
which induced a desire to stop, to admire and to think.
The people who had gathered at the house were interesting too--journalists
who had traveled a great deal, who had witnessed many events, who were
able to think. A unionist leader was also present--an observing,
aggressive, skeptical man.
Public-domain text, read in full here on John Shaqi.
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