Griffith Gaunt; or, Jealousy: Volumes 1 to 3 (of 3)Reade, Charles
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Griffith Gaunt; or, Jealousy: Volumes 1 to 3 (of 3)
Reade, Charles
Bigamy -- Fiction; English fiction -- 19th century
"Sweet Mistress,--When this reaches you, I shall be no more
here to trouble you with my jealousy. This Neville set it
abroad that you had changed horses with him, as much as to say
you had plighted troth with him. He is a liar, and I told him
so to his teeth. We are to meet at noon this day: and one must
die. Methinks I shall be the one. But, come what may, I have
taken care of thee; ask Jack Houseman else. But, oh dear Kate,
think of all that hath passed between us, and do not wed this
Neville, or I could not rest in my grave. Sweetheart, many a
letter have I written thee, but none so sad as this. Let the
grave hide my faults from thy memory; think only that I loved
thee well. I leave thee my substance; would it were ten times
more; and the last thought of my heart.
"So no more in this world,
"From him that is thy true lover
"And humble servant till death,
Griffith Gaunt."
There seems to be room in the mind for only one violent emotion at
one instant of time. This touching letter did not just then draw a
tear from her who now received it some hours sooner than the writer
intended. Its first effect was to paralyze her. She sat white and
trembling, and her great eyes filled with horror. Then she began to
scream wildly for help. The men and women came round her.
"Murder! Murder!" she shrieked. "Tell me where to find him, ye
wretches, or may his blood be on your heads!"
The scamp bounded from his lounging position and stood before her
straight as an arrow. "FOLLOW ME," he shouted. Her grey eyes and the
scamp's black ones, flashed into one another directly. He dashed out of
the yard without another word.
And she spurred her horse, and clattered out after him.
He ran as fast as her horse could canter, and soon took her all round
the house: and, while he ran, his black, gipsy eyes were glancing in
every direction.
Public-domain text, read in full here on John Shaqi.
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