He swung out of the house, full of dark thoughts. Oline, that beast
that throve in wickedness and grew fat on it--why had he not wrung her
neck the first year? So he thought, trying to pull himself together.
He could have done it--he? Couldn't he, though! No one better.
And then a ridiculous thing happened. Isak went into the shed and
counted the goats. There they are with their kids, the full number.
He counts the cows, the pig, fourteen hens, two calves. "I'd all but
forgotten the sheep," he says to himself; he counts the sheep, and
pretends to be all anxiety lest there should be any missing there.
Isak knows very well that there is a sheep missing; he has known that
a long time; why should he let it appear otherwise? It was this way.
Oline had tricked him nicely once before, saying one of the goats was
gone, though all the goats were there as they should be; he had made a
great fuss about it at the time, but to no purpose. It was always the
same when he came into conflict with Oline. Then, in the autumn, at
slaughtering time, he had seen at once that there was one ewe short,
but he had not found courage to call her to account for it at the
time. And he had not found that courage since.
But today he is stern; Isak is stern. Oline has made him thoroughly
angry this time. He counts the sheep over again, putting his
forefinger on each and counting aloud--Oline may hear it if she likes,
if she should happen to be outside. And he says many hard things about
Oline--says them out loud; how that she uses a new method of her own
in feeding sheep, a method that simply makes them vanish--here's a ewe
simply vanished. She is a thieving baggage, nothing less, and she may
know it! Oh, he would just have liked Oline to be standing outside and
hear it, and be thoroughly frightened for once.
He strides out from the shed, goes to the stable and counts the horse;
from there he will go in--will go into the house and speak his mind.
He walks so fast that his shirt stands out like a very angry shirt
behind him. But Oline as like as not has noticed something, looking
out through the glass window; she appears in the doorway, quietly and
steadily, with buckets in her hands, on her way to the cowshed.
"What have you done with that ewe with the flat ears?" he asks.
"Ewe?" she asks.
"Ay. If she'd been here she'd have had two lambs by now. What have
you done with them? She always had two. You've done me out of three
together, do you understand?"
Oline is altogether overwhelmed, altogether annihilated by the
accusation; she wags her head, and her legs seem to melt away under
her--she might fall and hurt herself. Her head is busy all the time;
her ready wit had always helped her, always served her well; it must
not fail her now.
"I steal goats and I steal the sheep," she says quietly. "And what
do I do with them, I should like to know? I don't eat them up all by
myself, I suppose?"
"You know best what you do with them."
Public-domain text, read in full here on John Shaqi.
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