Spouses -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
She meant more than that, but it was hard to say and, after all,
unnecessary. Mrs. Allenby gave her a little approbative tap on the
shoulder.
“Good girl,” she said. “Don’t you worry. I can see things. It isn’t
always the useful woman a man likes. I can see you aren’t much for
housekeeping--and babies. Some women aren’t. But just so as you make him
happy”--she paused and finished on a beautifully soft note--“he’s a
lovely boy.”
It was rarely that Fliss felt that some one understood her. She felt it
now. But both of them being very practical and unsentimental, they
carried the discussion no further. Mrs. Allenby cloaked herself in her
sharp efficiency and Fliss airily polished the plates. She told Matthew
that night that she was going to get on well with his mother. It was
then that he told her that she was adaptable.
“I shall never forget how you acted that night Cecily’s baby was born.
That was the first time I guessed how adaptable you were.”
“That was a funny time,” said Fliss, somewhat coldly.
They stayed a week with Mrs. Allenby and by the time they left Fliss had
begun to be very jocose and free with her mother-in-law. She showed her
how she was teaching Matthew to dance, she rendered popular vaudeville
songs on the wheezy old piano, she exhibited all her trousseau lingerie
to the old lady with a running fire of absurd comment, and tried to
bestow a lace trimmed boudoir cap upon her.
Then they left Peachtree for Chicago and spent a few weeks there,
Matthew doing business while Fliss soaked her pagan soul in the luxury
of hotels. Fliss loved hotels, their over-deep porcelain baths and the
little breakfast tables with shiny silvered dishes and wasteful expanses
of white linen, always immaculate. She liked having nothing to do with
the machinery of her comfort, to have a telephone at her bedside which
could whisk servitors out of space to do her bidding. And she liked the
great hotel lounges and parlors, with their heavy commercialized luxury
of velvet and gilt, their desks with low lights at which one might sit
and write letters while engaging the attention of any good-looking men
who might be passing. Padded corridors, handsome men and luxurious
women, dining-rooms pompous with elaborate service, the ceaseless flow
of people who might be coming from anything and going anywhere--it all
completely captured that roving spirit of excitement which was Fliss’s
imagination. She watched with ecstasy, copying here, adapting there,
learning every minute.
Public-domain text, read in full here on John Shaqi.
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