with ballots, signifying his corrupt control of the very sources of power. In his lap he holds the book of Law, which he is skilled to pervert to his own ends. In the background are his factories, the smoke of their chimneys testifying to his prosperity. On the other side the factories are smokeless and idle, showing a strike or shut-down; and the earthen jar in which the savings of Labor have been hoarded lies broken at her feet. The logical conclusion of such government is _Anarchy_. She is represented entirely nude, raving upon the ruins of the civilization she has destroyed. In one hand she holds the wine cup which makes mad, and in the other the incendiary torch, formed of the scroll of learning. Serpents twist in her dishevelled hair, and she tramples upon a scroll, a lyre, a Bible, and a book--the symbols, respectively, of Learning, Art, Religion, and Law. Beneath her feet are the dislocated portions of an arch. To the right, Violence, his eyes turned to gaze upon the cup of madness, is prying out the corner-stone of a temple. To the left, Ignorance, a female figure, with dull, brutish face, is using a surveyor’s staff to precipitate the wreckage of civilization into the chasm which opens in the foreground. Beyond, lying in an uncultivated field, are a broken mill-wheel and a millstone. But the end of such violence is clearly indicated; no sooner shall the corner-stone be pried from the wall than the temple will fall and crush the destroyers; and beside the great block on which Anarchy has placed her foot lies a bomb, with a lighted fuse attached. Such a condition, says the painting, must inevitably contain the seeds of its own destruction. [Illustration: GOOD ADMINISTRATION.--BY ELIHU VEDDER.] On the other side of the central tympanum, _Good Administration_ sits holding in her right hand a pair of scales evenly poised, and with her left laid upon a shield, quartered to represent the even balance of parties and classes which should obtain in a well ordered democracy; on this shield are emblazoned, as emblems of a just government, the weight, scales, and rule. The frame of her chair is an arch, a form of construction in which every stone performs an equal service--in which no shirking can exist--and therefore peculiarly appropriate to typify the equal part which all should take in a democratic form of government. On the right is a youth who casts his ballot into an urn. He carries some books under his arm, showing that education should be the basis of the suffrage. To the left is another voting-urn, into which a young girl is winnowing wheat, so that the good grains fall into its mouth while the chaff is scattered by the wind--an action symbolical of the care with which a people should choose its public servants. In the background is a field of wheat, a last touch in this picture of intelligence and virtue, and, in itself, symbolical of prosperous and careful toil.