=The Decoration of the Vaults.=--The floors of the corridors are
laid in mosaic of varying patterns. The ceilings are uniformly a
barrel vault, with pendentives--the same, that is, as those of the
North, East, and South Corridors below. The vaults are covered with
a painted decoration of Renaissance ornament which for variety and
interest is hardly surpassed anywhere else in the building. The
decorative scheme which has been adopted was planned throughout
by Mr. Casey, and elaborated, especially in the matter of color,
and carried into effect, by Mr. Garnsey, working under Mr. Casey’s
direction. In addition, each corridor contains, as a distinctive
accent of color and design, a series of paintings by a specially
commissioned artist--in the West Corridor by Mr. Walter Shirlaw,
in the North Corridor by Mr. Robert Reid, in the East Corridor by
Mr. George R. Barse, Jr., and in the South Corridor by Mr. Frank W.
Benson. In the side corridors, also, at the west end, the arch of
the vault is spanned by a broad band of stucco ornament containing a
series of octagonal coffers, ornamented in relief by Mr. Hinton Perry.
The decoration is varied, of course, from corridor to corridor,
in order to prevent any monotony of impression, but the main
principles on which it is based are everywhere the same. Thus the
color scheme--which was suggested in part by the beautiful Library
in Sienna--comprises in every corridor blue in the pendentives,
golden yellow in the penetrations, and a grayish white in the body
of the vault. The only exception to this rule is in the West and
East Corridors, which are terminated by double arches instead of
ending directly upon a wall. Here the end penetrations are red and
the pendentive yellow. The others remain as before. The delineation
of the spaces is at bottom very simple, and though more elaborate,
a good deal like that already noted in describing the mosaic in the
lower corridors. The penetrations are outlined by a bright colored
border, on which, where the lines converge to a point at the top,
rests a border of greater width, enclosing the entire vault in a
single great rectangle. This, in turn, is divided into compartments
by bands of ornament, varying in number according to the requirements
of the decoration, but always occurring immediately over the columns
of the arcade. These bands, coming where they do, perform a vital
service for the decoration in continually reminding the visitor, if
only by a painted arabesque, of the importance of the arch in such
a piece of construction as a vault. In the spaces between them are
garlands and wreaths, and panels for paintings and inscriptions--the
whole making part of one great arabesque, which is as easily
intelligible and coherent as it is various, but which would have been
bewildering in its wealth of ornament and color if it had not been
for the fundamental service performed by these various bands and
borders and broad masses of color.
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