The rider was Edward O'Connor; and he was worthy of his name--the pure blood of that royal race was in his heart, which never harboured a sentiment that could do it dishonour, and overflowed with feelings which ennoble human nature, and make us proud of our kind. He was young and handsome; and as he sat his mettled horse, no lady could deny that Edward O'Connor was the very type of the gallant cavalier. Though attached to every manly sport and exercise, his mind was of a refined order; and a youth passed amidst books and some of the loveliest scenery in Ireland had nurtured the poetic feeling with which his mind was gifted, and which found its vent in many a love-taught lyric, or touching ballad, or spirit-stirring song, whose theme was national glory. To him the bygone days of his country's history were dear, made more familiar by many an antique relic which hung around his own room in his father's house. Celt and sword, and spear-head of Phoenician bronze, and golden gorget, and silver bodkin, and ancient harp, and studded crosier, were there; and these time-worn evidences of arts, and arms, and letters flattered the affection with which he looked back on the ancient history of Ireland, and kept alive the ardent love of his country with which he glowed--a love too deep, too pure, to be likely to expire, even without the aid of such poetic sources of excitement. To him the names of Fitzgerald, and Desmond, and Tyrone, were dear; and there was no romantic legend of the humbler outlaws with which he was not familiar: and "Charley of the Horses," and "Ned of the Hill," but headed the list of names he loved to recall; and the daring deeds of bold spirits who held the hill-side for liberty, were often given in words of poetic fire from the lips of Edward O'Connor. And yet Edward O'Connor went to see the badger-fight. There is something inherent in man's nature, urging him to familiarise himself with cruelty: and, perhaps, without such a power of witnessing savage deeds, he would be unequal to the dominion for which he was designed. Men of the highest order of intellect the world has known have loved the chase. How admirably Scott displays this tendency of noble minds, in the meeting of Ellen with her father, when Douglas says-- "The chase I followed far; 'T is mimicry of noble war." And the effect of this touch of character is heightened by Douglas in a subsequent scene--Douglas, who could enjoy the sport which ends in death, bending over his gentle child, and dropping tears of the tenderest affection--tears which "Would not stain an angel's cheek."