Hans Brinker; Or, The Silver SkatesDodge, Mary Mapes
History
Hans Brinker; Or, The Silver Skates
Dodge, Mary Mapes
Netherlands -- History -- 19th century -- Juvenile fiction; Siblings -- Juvenile fiction; Skating -- Juvenile fiction
“Aye,” responded Peter’s cheery voice, “willing heart makes nimble
foot--and who knows, but it may make strong arms also.”
“Pete,” asked Ludwig, changing the subject, “did you tell me last night
that the painter Wouwerman was born in Haarlem?”
“Yes, and Jacob Ruysdael and Berghem too. I like Berghem because he
was always good-natured. They say he always sang while he painted, and
though he died nearly two hundred years ago, there are traditions still
afloat concerning his pleasant laugh. He was a great painter, and he had
a wife as cross as Xantippe.”
“They balanced each other finely,” said Ludwig. “He was kind and she
was cross. But, Peter, before I forget it, wasn’t that picture of Saint
Hubert and the horse painted by Wouwerman? You remember, Father showed
us an engraving from it last night.”
“Yes, indeed. There is a story connected with that picture.”
“Tell us!” cried two or three, drawing closer to Peter as they skated
on.
“Wouwerman,” began the captain oratorically, “was born in 1620, just
four years before Berghem. He was a master of his art and especially
excelled in painting horses. Strange as it may seem, people were so long
finding out his merits that, even after he had arrived at the height
of his excellence, he was obliged to sell his pictures for very paltry
prices. The poor artist became completely discouraged, and, worst of
all, was over head and ears in debt. One day he was talking over
his troubles with his father-confessor, who was one of the few
who recognized his genius. The priest determined to assist him and
accordingly lent him six hundred guilders, advising him at the same time
to demand a better price for his pictures. Wouwerman did so, and in the
meantime paid his debts. Matters brightened with him at once. Everybody
appreciated the great artist who painted such costly pictures. He grew
rich. The six hundred guilders were returned, and in gratitude Wouwerman
sent also a work which he had painted, representing his benefactor as
Saint Hubert kneeling before his horse--the very picture, Ludwig, of
which we were speaking last night.”
“So! so!” exclaimed Ludwig, with deep interest. “I must take another
look at the engraving as soon as we get home.”
At that same hour, while Ben was skating with his companions beside the
Holland dike, Robby and Jenny stood in their pretty English schoolhouse,
ready to join in the duties of their reading class.
“Commence! Master Robert Dobbs,” said the teacher, “page 242. Now, sir,
mind every stop.”
And Robby, in a quick childish voice, roared forth at schoolroom pitch,
“Lesson 62. The Hero of Haarlem. Many years ago, there lived in Haarlem,
one of the principal cities of Holland, a sunny-haired boy of gentle
disposition. His father was a sluicer, that is, a man whose business it
was to open and close the sluices, or large oaken gates, that are placed
at regular distances across the entrances of the canals, to regulate the
amount of water that shall flow into them.
Public-domain text, read in full here on John Shaqi.
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