England -- Pictorial works; Watercolor painting, British
It would be imagined that the sense of pride in these, the last traces
of their village ancestors, would have prompted their descendants,
whether of the same kin or not, to deal reverently with them, and
endeavour to hand on as long as possible these silent witnesses to
the honest workmanship of their forbears. Such, unfortunately, is
but seldom the case. If any one will visit Witley with this book in
his hand, and compare the present state of the few examples given
there, not twenty years after they were painted, he will see what is
taking place not only in this little village but through the length
and breadth of England. It is not always wilful on the part of the
landlord, but arises from either his lack of sympathy, time, or
interest.
He probably has a sense of his duty to "keep up" things, and so sends
his agent to go round with an architect and settle a general plan
for doing up the old places (usually described as "tumbling down" or
"falling to pieces"). Thereupon a village builder makes an estimate
and sends in a scratch pack of masons and joiners, and between them
they often supplant fine old work, most of it as firm as a rock,
with poor materials and careless labour, and rub out a piece of old
England, irrecoverable henceforth by all the genius in the world and
all the money in the bank. The drainage and water supply, points where
improvement is often desirable, may be left unattended to. But whatever
else is decided on, no uneven tiled roofs, with moss and houseleek,
must remain; no thatch on any pretence, nor ivy on the wall, nor vine
along the eaves. The cherry or apple tree, that pushed its blossoms
almost into a lattice, will probably be cut down, and the wild rose and
honeysuckle hedge be replaced by a row of pales or wires. The leaden
lattice itself and all its fellows, however perfect, must inevitably
give place to a set of mean little square windows of unseasoned wood,
though perhaps on the very next property an architect is building
imitation old cottages with lattices! With the needful small repairs,
most of the real old cottages would have lasted for many generations
to come, to the satisfaction of their inhabitants and the delight of
all who can feel the charm of beauty combined with ancientness--a
charm once lost, lost for ever. And unquestionably the well-repaired
old cottages would generally be more comfortable than the new or the
done-up ones, to say nothing of the "sentiment" of the cottager.
An old man, who was in a temporary lodging during the doing-up of
his cottage, being asked, "When shall you get back to your house?"
answered, "In about a month, they tells me; but it won't be like going
home." At the same time it is fair to add that many of the "doings-up"
in Mrs. Allingham's country are of good intention and less ruthless
execution than may be seen elsewhere, and that certain owners show a
real feeling of wise conservatism. It would perhaps be a low estimate,
Public-domain text, read in full here on John Shaqi.
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