England -- Pictorial works; Watercolor painting, British
Half a century ago most of the old dwellings on the Surrey border were
thatched with good wheaten straw from the Weald of Sussex, but thatch
will soon be a thing of the past, partly for the reason that there
are no thatchers (or "thackers" as they are called in local midland
dialect) left, principally because the straw, of which they consumed
a good deal, and which used to be a cheap commodity and not very
realisable, in villages whose access to market was difficult, now finds
a ready sale. Locomotion has also enabled slates to be conveyed from
hundreds of miles away, and placed on the ground at a less rate than
straw.
Thus the old order changeth, and without any regard to the comfort of
the tenant, whose roof, as I have already said, instead of consisting
of a covering which was warm in winter and cool in summer, is now one
which is practically the reverse. Strawen roofs are easy of repair or
renewal, and look very trim and cosy when kept in condition.
At the time when this drawing was painted this cottage, lying snugly in
the recesses of Wormley Wood (whose pines always attract the attention
as the train passes them just before Witley station is reached), was
the last specimen of thatch in the neighbourhood, and it only continued
so to be through the intervention of a well-known artist who lived not
far off. That artist is dead, and probably in the score of years which
have since elapsed the thatch has gone the way of the rest, and the
harmony of yellowish greys which existed between it and its background
have given way to a gaudy contrast of unweathered red tiles or cold
unsympathetic blue slates.
The cottage itself may well date back to Tudor times, and the
sweetwilliams, pansies, and lavender which border the path leading
to it may be the descendants of far-away progenitors, culled by a
long-forgotten labourer in his master's "nosegay garden," which at
that time was a luxury of the well-to-do only.
Many of the flowers found in this plot of ground were in early days
conserved in the gardens of the simple folk rather for their medicinal
use than their decorative qualities. Such was certainly the case with
lavender. "The floures of lavender do cure the beating of the harte,"
says one contemporary herbal; and another written in Commonwealth times
says, "They are very pleasing and delightful to the brain, which is
much refreshed with their sweetness." It was always found in the garden
of women who pretended to good housewifery, not only because the heads
of the flowers were used for "nosegays and posies," but for putting
into "linen and apparel."
[Illustration:
47. THE ELDER BUSH, BROOK LANE, WITLEY
_From the Water-colour in the possession of Mr. Marcus Huish._
Painted 1887.]
Public-domain text, read in full here on John Shaqi.
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