Happy Pollyooly: The Rich Little Poor GirlJepson, Edgar
General
Happy Pollyooly: The Rich Little Poor Girl
Jepson, Edgar
England -- Social life and customs -- 20th century -- Fiction; Girls -- Fiction
Thereupon, under his instructions, Pollyooly warmed the tea-pot and
stood by the tea-caddy ready to put in two teaspoonfuls of tea (one for
him, one for the pot) the moment the kettle boiled. The moment it did
boil, following his instructions, she put the tea into the pot, and
then, tilting the kettle without taking it from the stove, she poured
the still boiling water on to it. Then she inverted the little glass
egg-boiler and stood ready to bring the infusing tea into his
sitting-room as soon as the upper half of it was nearly empty of sand.
Then he said in raised and sonorous tones of profound satisfaction:
"That is the art of making tea. Now that you have once learnt it, I
know,--I am sure that very soon you will be not only the finest griller
of bacon in England, but also the finest maker of tea."
"I'll try, sir," said Pollyooly cheerfully. "It doesn't seem very
difficult."
"To genius nothing is _very_ difficult," said the Honourable John
Ruffin impressively. "The difficulty is to stick to it--to go on
getting the thing right every time. But you can do it with bacon: why
not with tea?"
When the sand had nearly all run out of the upper part of the glass,
she took the tray into the sitting-room; he poured out a cup of tea,
and declared that it was tea fit for the gods.
Pollyooly smiled at his satisfaction, and then said:
"Please, sir: I should like a note to Madame Correlli to say that I
couldn't go to my dancing yesterday because I had to go into the
country. She is so particular."
"Certainly; I will write it after tea," said the Honourable John Ruffin
amiably.
After he had finished his tea he wrote the note and gave it to her.
Then she paid a proud visit to the Post Office Savings Bank and added
to her fattening account the sum of twelve pounds. Undoubtedly the
Osterley family were valuable acquaintances.
Fortified by the exculpatory note from the Honourable John Ruffin,
Pollyooly went next morning to her dancing class with an easy mind.
It had been clear to her friends that the career of housekeeper,
admirably as she discharged its duties, was far inferior to her
abilities; it did not give them nearly full scope. Those friends were
young, and they were alive, keenly alive, to the fact that there is a
steady demand for angels in that sphere of British and German industry
curiously known as musical comedy. They could not conceive that, since
she had to work for a living, Pollyooly's natural grace and the agility
she had acquired in her earlier childhood, at the village of Muttle
Deeping, and still retained, could be put to more agreeable and
profitable use than that of helping to supply this demand for angels,
and so help to raise the British ideal of womanly beauty.
Public-domain text, read in full here on John Shaqi.
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