She sighed, and Sampson generalised; he plunged from the seaside novel
into the sea of fiction. He rechristened that joyous art Feckshin, and
lashed its living professors. “You devour their three volumes greedily,”
said he, “but after your meal you feel as empty as a drum; there is
no leading idea in 'um; now there always is--in Moliere; and _he_
comprehended the midicine of his age. But what fundamental truth
d'our novelists iver convey? All they can do is pile incidents. Their
customers dictate th' article: unideaed melodrams for unideaed girls.
The writers and their feckshins belong to one species, and that's 'the
non-vertebrated animals;' and their midicine is Bosh; why, they bleed
still for falls and fevers; and niver mention vital chronometry. Then
they don't look straight at Nature, but see with their ears, and repeat
one another twelve deep. Now, listen me! there are the cracters for an
'ideaed feckshin' in Barkington, and I'd write it, too, only I haven't
time.”
At this, Julia, forgetting her resolution, broke out, “Romantic
characters in Barkington? Who? who?”
“Who _should_ they be, but my pashints? Ay, ye may lauch, Miss Julee,
but wait till ye see them.” He was then seized with a fit of candour,
and admitted that some, even of his pashints, were colourless; indeed,
not to mince the matter, six or seven of that sacred band were nullity
in person. “I can compare the beggars to nothing,” said he, “but the
globules of the Do-Nothings; dee----d insipid, and nothing in 'em. But
the others make up. Man alive, I've got 'a rosy-cheeked miser,' and an
'ill-used attorney,' and an 'honest Screw'--he is a gardener, with a
head like a cart-horse.”
“Mamma! mamma! that is Mr. Maxley,” cried Julia, clapping her hands, and
thawing in her own despite.
“Then there's my virgin martyr and my puppy. They are brother and
sister; and there's their father, but he is an impenetrable dog--won't
unbosom. Howiver, he sairves to draw chicks for the other two, and so
keep 'em goen. By-the-bye, you know my puppy?”
“We have not that honour. Do we know Dr. Sampson's puppy, love?”
inquired Mrs. Dodd, rather languidly.
“Mamma!--I--I--know no one of that name.”
“Don't tell me! Why it was he sent me here told me where you lived, and
I was to make haste, for Miss Dodd was very ill: it is young Hardie, the
banker's son, ye know.”
Public-domain text, read in full here on John Shaqi.
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