But this wild man chooses her for a wife, proposes for her hand--and is refused. Why so? Because she was an every-day young lady. He was rich; he had good points--nay, great ones, in his character: but he was an uncomfortable man. She could not love him, and she could not think of marrying a man she could not love. Had it been the young clergyman, the case would have been different. A nice young man was he; and, like all other young ladies of her class, Anne had her dreams of gentle happiness, and congeniality of temper, and poetry, and flowers, and sunsets, and a genteel cottage. But the young clergyman could not afford to think of an almost penniless girl for a wife; and so poor Anne's episode was ended before it was well begun; and the affair would have assumed in her solitary heart the enduring form of a Mystery, if exigencies had not arisen to call forth feelings and resolves that brook no such unsubstantial companions. This every-day young lady had a brother in Edinburgh, and the brother fell into folly, and misery, and sickness, and desperate poverty. He wanted a friend, a nurse, a servant, and she knew that his bedside was her natural post. The difficulty was to get so far with her poor little funds; but this is accomplished, and instead of the outside of the mail on a wintry night, she has even had the good-fortune to enjoy an inside seat, some gentleman being seized with the caprice of encountering the frost and snow. This gentleman, she discovers afterward, is her discarded lover; and he--how many discoveries does he make! The every-day young lady, thrown into the battle of circumstances, rises with the strife. She who had been accustomed to sit silent, seeming to agree with others in what was untrue, merely from want of courage, now endures without flinching the extremities even of actual want. Now come out, one by one, obvious to the sight, the thousand beautiful things in the depths of her quiet mind; and the eyes of the odd gentleman are dimmed with emotion as he looks at them. Already had she begun to wonder at this man, to call his austerity melancholy, to grieve that he was unhappy, to think what he could be thinking about; and now, when she and her darling brother are saved, protected, held up by his strong hand, the hold he takes of her imagination communicates itself insensibly to her heart. His features lose their harshness; his deep-set eyes become soft; his lips relax; and finally, he cuts his hair. What more needs be said?