Poetry is the handmaid as well as the inspiration of chivalry, and if ever the deeds of brave and loyal gentlemen deserved to live in song, surely the achievement of the loyal associates who rescued their oppressed queen from her cruel captivity in Lochleven Castle, ought to be thus commemorated, and their names had in remembrance long after "the marble that enshrines their mortal remains has perished, and its imagery mouldered away." FOOTNOTES: [2] "Lives of the Queens of Scotland, and English Princesses connected with the regal succession of Great Britain." [3] See many dispatches from the English envoys resident in Scotland. State Paper Office, from 1534 to 1536. [4] "Life of Lord Herries," edited by Pitcairne, Abbotsford Club, p. 101. [5] "Life of James Earl of Morton," in the "Lives of the Douglases," p. 302. [6] Continuation of the "History of the Houses of Seytoun, by Alexander, Viscount Kingston. Printed for the Maitland Club." [From Dickens's Household Words.] A GERMAN PICTURE OF THE SCOTCH. A new play was recently produced at the principal theatre of Vienna, which illustrates the notions of Scotchmen which obtain currency and credence among the Germans. The scene is laid in St. Petersburgh; the real hero is a little animal, known to dog-fanciers as a Scotch terrier; but the nominal chief character is a banker from Glasgow, named Sutherland. He had failed in his native place, but in Russia he became a great man, for he was the favorite money-dealer of the Empress Catherine. We all know the strength of a Scotch constitution, but we also know the severity of a St. Petersburgh winter: yet Mr. Sutherland presents himself to his audience, amidst the frozen scenery of that ice-bound city, in what is believed abroad to be the regular everyday costume of a citizen of Glasgow; namely, a kilt, jack-boots, and a cocked hat, with a small grove of fine real feathers. Mr. Sutherland, despite his scanty nether costume, appears to be in excellent health and spirits. He has thriven so well in the world that, in accordance with a tolerably correct estimate of the Caledonian national character, his relations at home begin to pay court to him, and to send him presents. One indulges him with the hero of the piece: the small, ugly, irate, snuffy quadruped before mentioned. The banker takes it with a good-humored "Pish!" little dreaming of the important part the little wretch is destined to play. He had scarcely received the gift when the Empress passes by, sees the dog, and desires to possess it, while the grateful Sutherland is too glad to be able to gratify a royal caprice at so light a cost. She, in the fervency of her gratitude, named the dog after the donor--a great compliment.