While Napoleon was thus engaged in reconstructing society in France, organizing the army, strengthening the navy, and conducting the diplomacy of Europe, he was maturing and executing the most magnificent plans of internal improvements. In early life he had conceived a passion for architectural grandeur, which had been strengthened and chastened by his residence among the time-honored monuments of Italy and Egypt. With inconceivable activity of mind, he planned those vast works of utility and of beauty in Paris, and all over the empire, which will forever remain the memorials of his well-directed energies, and which will throw a lustre over his reign which never can be sullied. He erected the beautiful quay on the banks of the Seine, in front of the Tuileries. He swept away the buildings which deformed the Place Carrousel, and united the Louvre and the Tuileries, forming a magnificent square between those splendid edifices. He commenced the construction of a fourth side for the great square opposite the picture gallery. It was a vast and a noble undertaking; but it was interrupted by those fierce wars, which the allied kings of Europe waged against him. The Bridge of Arts was commenced. The convents of the Feuillans and Capucines, which had been filled with victims during the revolution, were torn down, and the magnificent Rue de Rivoli, now one of the chief ornaments of Paris, was thrown open. Canals, bridges, turnpike-roads, all over the empire, were springing into existence. One single mind inspired the nation. The most inveterate opponents of Napoleon are constrained to the admission that it is impossible to refuse the praise of consummate prudence and skill to these, and indeed to all the arrangements he adopted in this great crisis of his history. "We are creating a new era," said he. "Of the past we must forget the bad, and remember only the good."