After we got our trunks on board Pop took me up to see the engine and
you never saw such an engine anywhere outside of a toy-store. It looked
awful small and it only had a little platform at the back for the
engineer to stand in. Pop says the railroads can't afford to furnish
cabs for its engineers. The smoke-stack looked just like a piece of pipe
sticking up in front of the boiler and there wasn't a cow-catcher in
sight, but it had a bully whistle. It was one of those raspy whistles
that makes old people nervous and boys laugh. Pop says a whistle like
that makes a cow-catcher unnecessary because a cow is a quiet sort of an
animal and likes to chew its gum in peace, hating noise; and anyhow the
English people aren't bothering much about catching cows when there's so
many Americans travelling about with money in their pockets to be
caught; and I guess he's right because most everybody here goes around
holding his hand out. Chesterfield told me it would be that way so I
wasn't surprised. He said when you land every hand on the dock will be
stretched out to you but it isn't to welcome you, don't think that. It's
to relieve you of your surplus. I asked him what a surplus was, and he
said it was a collection of rare coins that you didn't need in your
business and when I said I wasn't any wiser than before he said a
surplus was the money you had in your pocket to spend on things you
didn't really need. And it was that way, and I tell you the way Pop
spent six-pences and shillings and half-crowns was a caution. A half
crown is two shillings and a sixpence, but you can bet I didn't spend
mine. All I had left after lending Chesterfield that money I've got yet
and I'm going to keep it until I get to Paris where they have toy shops
that are worth seeing whether you buy anything or not which you
generally do. Why just before we landed Chesterfield was telling me of
an oil-silk lion that he bought in Paris once that saved his life two
years later in the Desert of Sahara.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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