Harriet Beecher Stowe: a biography for girlsCrow, Martha Foote
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Harriet Beecher Stowe: a biography for girls
Crow, Martha Foote
Stowe, Harriet Beecher, 1811-1896 -- Juvenile literature
Those dramatic representations seem to have awakened no unfavorable
comment in the Beecher family so long as they were carried on under
the supervision of the Academy. But on an unlucky day Harriet’s
brilliant sister Catherine lighted upon a thrilling story in Miss
Edgeworth’s “Moral Tales,” called “The Unknown Friend,” which tells
how an attractive sixteen-year-old young lady was cured of a foolish
sentimentality. In this story _Angelina_, the heroine, reads a book
written by an unknown lady by the name of _Araminta_. This book speaks
extravagantly, and as it seems to _Angelina_ alluringly, of the charms
of friendship, and on the theory that one who wrote so feelingly of the
beautiful and romantic must be herself the embodiment of those traits,
_Angelina_ sets out to find this paragon, believing that in her she
will gain such a friend as she has dreamed of. After wandering futilely
for a time, she reaches a hut in the Welch mountains, where the writer
of the sentimental book has taken refuge. She finds in _Araminta_ a
disheveled, unlovely, forbidding person. Every sense of taste and
propriety is shocked, and they do not get on well together at all.
The story shows _Angelina’s_ complete disillusionment and the sorrows
that will come to one who disregards the practical side of life. The
incidents in this tale of Miss Edgeworth’s are ludicrous and the story
is not a bit tame. It might afford amusement even to-day.
The clever Catherine conceived the idea of making it into a play and
giving a happy surprise to the whole family by setting up the little
drama in the house itself. There were characters enough for every one
of the Beecher children to have one to himself--and that is saying
a good deal! There was also variety. The dialects used included
Welsh, Scotch, and broad Irish. The _Lady Diana Chillingworth_ and
her sister, the _Lady Frances Somerset_, trailed about in finery
extracted from mother’s band-boxes and chests. A palace, a mountain
top, a shop, afforded changes of scene that were easily designated in
true Elizabethan fashion by the use of a parlor table, or a kitchen
chair, or a set of shelves; and costumes were delightfully relied upon
to give aid to the imagination. Rehearsals were carried on in the
strictest secrecy for some weeks. The appointed evening came. Father
and mother wondered why a fire was built in the large parlor or why
so many neighbors and students happened to come in at about the same
moment; but before any questions could be asked, the door to the dining
room was suddenly thrown open and a mysterious drapery was seen at the
farther end of the room. The curtain rose and forthwith the actors
appeared and completed the whole drama amid thunders of applause--at
least so runs the account by an eye witness. The next day, however,
Catherine was told with some severity that while it was very good, they
must not do so any more!
Public-domain text, read in full here on John Shaqi.
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