The car had been once a common day-coach, but those who had sat in it and cringed to the conductor's hat-band slips would never have recognised it in its transformation. Paint and gilding and certain domestic touches had liberated it from any suspicion of public servitude. The whitest of lace curtains judiciously screened its windows. From its fore end drooped in the torrid air the flag of Mexico. From its rear projected the Stars and Stripes and a busy stovepipe, the latter reinforcing in its suggestion of culinary comforts the general suggestion of privacy and ease. The beholder's eye, regarding its gorgeous sides, found interest to culminate in a single name in gold and blue letters extending almost its entire length--a single name, the audacious privilege of royalty and genius. Doubly, then, was this arrogant nomenclature here justified; for the name was that of "Alvarita, Queen of the Serpent Tribe." This, her car, was back from a triumphant tour of the principal Mexican cities, and now headed for San Antonio, where, according to promissory advertisement, she would exhibit her "Marvellous Dominion and Fearless Control over Deadly and Venomous Serpents, Handling them with Ease as they Coil and Hiss to the Terror of Thousands of Tongue-tied Tremblers!" One hundred in the shade kept the vicinity somewhat depeopled. This quarter of the town was a ragged edge; its denizens the bubbling froth of five nations; its architecture tent, _jacal_ [53], and 'dobe; its distractions the hurdy-gurdy and the informal contribution to the sudden stranger's store of experience. Beyond this dishonourable fringe upon the old town's jowl rose a dense mass of trees, surmounting and filling a little hollow. Through this bickered a small stream that perished down the sheer and disconcerting side of the great cañon of the Rio Bravo del Norte. [FOOTNOTE 53: jacal--(Spanish) a small house or shack built by driving vertical stakes into the ground and filling in walls between the stakes with adobe] In this sordid spot was condemned to remain for certain hours the impotent transport of the Queen of the Serpent Tribe. The front door of the car was open. Its forward end was curtained off into a small reception-room. Here the admiring and propitiatory reporters were wont to sit and transpose the music of Señorita Alvarita's talk into the more florid key of the press. A picture of Abraham Lincoln hung against a wall; one of a cluster of school-girls grouped upon stone steps was in another place; a third was Easter lilies in a blood-red frame. A neat carpet was under foot. A pitcher, sweating cold drops, and a glass stood on a fragile stand. In a willow rocker, reading a newspaper, sat Alvarita.