Art brings about this consciousness, in that it gives permanence and cohesion to the fleeting visible appearance through which objectivity passes in sensation. The shapeless, sacred stone, the mere place, or whatever it is to which the desire for objectivity first attaches itself, receives from art, form, feature, determinate character and content which can be known and which is now present for consciousness. Art has thus become the instructress of the people. This was the case with Homer and Hesiod for instance, who, according to Herodotus (II. 53), “Made the Greeks their Theogony,” because they elevated and consolidated ideas and traditions in unison with the spirit of the people, wherever and in whatever confusion they might be found, into definite images and ideas. This is not the art which merely gives expression in its own way to the content, already perfectly expressed, of a Religion which in thought, idea and words has already attained complete development; that is to say, which puts its matter into stone, canvas, or words as is done by modern art, which, in dealing either with religious or with historical objects, takes as its groundwork ideas and thoughts which are already there. The consciousness of this Religion is rather the product of thinking imagination, or of thought which comprehends through the organ of imagination alone and finds expression in its forms. If the infinite Thought, the absolute Mind, has revealed and does reveal itself in true Religion, that in which it reveals itself is the heart, the representing consciousness and the understanding of what is finite. Religion is not merely directed to every sort of culture. “To the poor is the Gospel preached,” but it must as being Religion expressly directed towards heart and mind, enter into the sphere of subjectivity and consequently into the region of finite methods of representation. In the perceiving and, with reference to perceptions, reflecting consciousness, man possesses for the speculative relations belonging to the absolute, only finite relations, whether taken in an exact or in a symbolical sense, to serve him to comprehend and express those qualities and relationships of the infinite.