For a long moment Adam Ward looked at his son who stood so straight and
uncompromisingly soldier-like before him. Suddenly, to John's
amazement, his father laughed. And there was not a little admiration
and pride in the old Mill owner's voice as he said, "I see! In other
words, if you are going to be the boss, you don't propose to have any
strings tied to you."
"Would you, sir?" asked John.
"No, I wouldn't," returned Adam and laughed again. "Well, go ahead.
Have it your own way. I am not afraid for you in the long run. You are
too much like me not to find out where your own interests lie, once you
come squarely up against the situation. I only wanted to help you, but
it looks as though you would have to go through the experience for
yourself. It's all right, son, go to it! Now call George."
When the superintendent entered the private office, Adam Ward said,
briefly, "George, I am turning the Mill over to John here. From to-day
on he is the manager without any strings on him in any way. He has the
entire responsibility and is the only authority. He accounts to no one
but himself. That is all."
Abruptly Adam Ward left the private office. Without even a look toward
the men in the big outer room who had served with him for years, he
passed on out to the street.
When the whistle sounded, John went out into the Mill to stand near the
window where the workmen passing in line received their envelopes.
From every part of the great main building, from the yards and the
several outer sheds and structures they came. From furnace and engine
and bench and machine they made their way toward that given point as
scattered particles of steel filings are drawn toward a magnet. The
converging paths of individuals touched, and two walked side by side.
Other individuals joined the two and as quickly trios and quartets came
together to form groups that united with other similar groups; while
from the mass thus assembled, the thin line was formed that extended
past the pay clerk's window and linked the Mill to the outer world.
Public-domain text, read in full here on John Shaqi.
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