With many other bits of prophecy and celestial description I was
regaled as I completed my toilet, and I hurried out of doors for an
opportunity to think without disturbance. Strolling past the henyard I
saw a meditative turtle, and picking him up and shouting to my nephews
I held the reptile up for their inspection. Their window-blinds flew
open, and a unanimous though not exactly harmonious "Oh!" greeted my
prize.
"Where did you get it, Uncle Harry?" asked Budge.
"Down by the hen-coop."
Budge's eyes opened wide; he seemed to devote a moment to profound
thought, and then he exclaimed:--
"Why, I don't see how the hens COULD lay such a big thing--just put him
in your hat till I come down, will you?"
I dropped the turtle in Budge's wheelbarrow, and made a tour of the
flower-borders. The flowers, always full of suggestion to me, seemed
suddenly to have new charms and powers; they actually impelled me to
try to make rhymes,--me, a steady white-goods salesman! The impulse was
too strong to be resisted, though I must admit that the results were
pitifully meager:--
"As radiant as that matchless rose
Which poet-artists fancy;
As fair as whitest lily-blows,
As modest as the pansy;
As pure as dew which hides within
Aurora's sun-kissed chalice;
As tender as the primrose sweet--
All this, and more, is Alice."
In inflicting this fragment upon the reader, I have not the faintest
idea that he can discover any merit in it; I quote it only that a
subsequent experience of mine may be more intelligible. When I had
composed these wretched lines I became conscious that I had neither
pencil nor paper wherewith to preserve them. Should I lose them--my
first self-constructed poem? Never! This was not the first time in
which I had found it necessary to preserve words by memory alone. So I
repeated my ridiculous lines over and over again, until the eloquent
feeling of which they were the graceless expression inspired me to
accompany my recital with gestures. Six--eight--ten--a dozen--twenty
times I repeated these lines, each time with additional emotion and
gestures, when a thin voice, very near me, remarked:--
"Ocken Hawwy, you does djust as if you was swimmin'."
Turning, I beheld my nephew Toddie--how long he had been behind me I
had no idea. He looked earnestly into my eyes and then remarked:--
"Ocken Hawwy, your faysh is wed, djust like a wosy-posy."
"Let's go right in to breakfast, Toddie," said I aloud, as I grumbled
to myself about the faculty of observation which Tom's children seemed
to have.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account