“No—of course not. Don’t be silly, Budge.”
“Well, I think about him a good deal, an’ I don’t think it’s silly
a bit. I hope he’ll go to heaven when he dies. Do angels have
goat-carriages, Uncle Harry?”
“No, old fellow—they can go about without carriages.”
“When I goesh to hebben,” said Toddie, rising in bed, “Izhe goin’
to have lots of goat cawidjes an’ Izhe goin’ to tate all ze andjels
a-widen.”
With many other bits of prophesy and celestial description I was
regaled as I completed my toilet, and I hurried out of doors for an
opportunity to think without disturbance. Strolling past the hen-yard,
I saw a meditative turtle, and, picking him up and shouting to my
nephews, I held the reptile up for their inspection. Their window
blinds flew open and a unanimous though not exactly harmonious “Oh!”
greeted my prize.”
“Where did you get it, Uncle Harry?” asked Budge.
“Down by the hen-coop.”
Budge’s eyes opened wide; he seemed to devote a moment to profound
thought, and then he exclaimed:—
“Why, I don’t see how the hens _could_ lay such a big thing—just put
him in your hat till I come down, will you?”
I dropped the turtle into Budge’s wheelbarrow, and made a tour of the
flower-borders. The flowers, always full of suggestion to me, seemed
suddenly to have new charms and powers; they actually impelled me to
try to make rhymes,—me, a steady white-goods salesman! The impulse was
too strong to be resisted, though I must admit that the results were
pitifully meager:—
“As radiant as that matchless rose
Which poet-artists fancy;
As fair as whitest lily-blows,
As modest as the pansy;
As pure as dew which hides within
Aurora’s sun-kissed chalice;
As tender as the primrose sweet—
All this, and more, is Alice.”
In inflicting this fragment upon the reader I have not the faintest
idea that he can discover any merit in it; I quote it only that a
subsequent experience of mine may be more intelligible. When I had
composed these wretched lines I became conscious that I had neither
pencil nor paper wherewith to preserve them. Should I lose them—my
first self-constructed poem? Never! This was not the first time in
which I had found it necessary to preserve words by memory alone. So I
repeated my ridiculous lines over and over again, until the eloquent
feeling of which they were the graceless expression inspired me to
accompany my recital with gestures. Six—eight—ten—a dozen—twenty times
I repeated these lines, each time with additional emotion and gesture,
when a thin voice, very near me, remarked:—
“Ocken Hawwy, you does djust as if you was swimmin’.”
Turning, I beheld my nephew, Toddie—how long he had been behind me I
had no idea. He looked earnestly into my eyes, and then remarked:—
“Ocken Hawwy, your faysh is wed, djust like a wosy-posy.”
“Let’s go right in to breakfast, Toddie,” said I aloud, as I grumbled
to myself about the faculty of observation which Tom’s children seemed
to have.
Public-domain text, read in full here on John Shaqi.
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