Authors -- Fiction; Authorship -- Fiction; Married people -- Fiction
But in reality it is not so. A man all white or all black is but
rarely met: the last is soon removed, the first impossible for common
use. Man was devised from a more subtle palette; and if in all the
millions of faces no two are alike, that is yet truer, said about the
heart. The man you trust so freely has his see-saw moments, like
anybody else, and if as a rule he lands the right end down, it may have
been your very confidence that lent him weight. It is the same with
all. They must be entered for convenience beneath the colour which
they most display, but every one of them is a true moral rainbow and
much more. Take it all in all, we humans are the most mixed thing that
any one has ever yet invented: the reason why some scorn all other
hobbies or amusements, so long as there is Man.
Geoffrey Alison was an especially odd mixture--all of course kept
rigidly inside. To the mere eye he was, like most, quite simple,
almost to the point of dulness. Oh yes; I see, yes; the artistic type;
a gentleman though; trustworthy but slack; quite modest although jolly
clever; pretty much of a white man... But inwardly he was a thing to
watch because his types conflicted, and that ends with fireworks.
He joined the artist's soul--a real love for the beautiful and
noble--to what perhaps may be most easily described as a pink-paper
mind. He could sit and gaze happily for hours at a Corregio,
forgetting the plush benches and the noisy tourists, utterly absorbed;
he found a joy that was almost physical in a sudden landscape or the
moon which breaks loose from its clouds and gleams on a rough sea; he
would watch with a smile of pleasure the way of a woman with her child
or a child with its toy; he shrank with loathing from all that was
ugly, sordid--the sight of needless misery or the sound of a woman's
oath; and yet--and yet he could not rid himself of the idea that there
was something palpitating, wicked, spicy, about a shop-girl who held up
her skirt to cross a muddy road. There was a thrill for him each time
that he passed a stage-door. Garters--champagne (always known as
fizz)--corsets--chorus girls--these all held for him a brimming measure
of romance. He was convinced that there was something specially
cryptic and alluring about bar-maids, though he would never enter bars
as he did not like other people's glasses. Paris to him stood for a
riot of continued orgies shaming a white dawn. He was of those who for
peculiar reasons can thoroughly enjoy a really English ballet. The
thought of studios and models had half consciously affected the choice
of his career; and if he now knew that to be illusion, so far as his
experiences went, he still liked--well, one half of him--to read the
old exciting fairy-tales. Perhaps they happened somewhere, still.
Public-domain text, read in full here on John Shaqi.
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