But the society of friends of her own sex was only one among the many joys which were Henrietta's during the happy years which elapsed between the troubles of her youth and the storm of the Civil War. For a few months after the departure of the French her husband seems to have kept her short of money,[75] but in 1627 she enjoyed the income of £18,000, which was guaranteed to her by the terms of her marriage contract. Moreover, large grants of manors and lands were made to her. Thus came into her possession the park of East Greenwich, whither she was wont to retire when she wished for country air and quiet, and yet could not be far from town; thus she acquired Oatlands in Surrey, the pleasant country-house of which nothing now remains, where she spent many happy days with her friends and children; thus she was able to call her own Somerset or Denmark House, her much-loved and beautiful London home which stood with other noblemen's houses facing the Strand, while behind lovely pleasure gardens sloped down to the still silver Thames. None of her other houses, probably, were as dear to her as this, where she kept an establishment befitting her rank as Queen-Consort, and where she frequently gave entertainments which reflected the taste and grace of their hostess, and to which she had the pleasure of inviting her husband, the King. Henrietta was not a lady of literary tastes, and in spite of the fact that the Scotch poet, Sir Robert Ayton, was her private secretary, her patronage of general literature was confined to smiling on poets, such as Edmund Waller, who presented her with copies of complimentary verses, and to receiving the dedication of devotional works, usually translated from foreign originals. But to the drama she was devoted, and she specially liked the pretty and fashionable plays known as masques, of which the veteran laureate, Ben Jonson, wrote a number, and of which a younger poet, John Milton, produced in _Comus_, the most famous example. Henrietta was delighted with the great pageant and masque offered to their Majesties by the Inns of Court in 1633,[76] and even the grave Laud, when he entertained royalty at Oxford in 1638, provided a play, Cartwright's _Royal Slave_, for the amusement of his guests. But the Queen's pleasure was not only as a spectator. As a child she had been accustomed to take her part in private theatricals acted in the spacious _salons_ of the Luxembourg, where Rubens' voluptuous women looked down upon the royal actresses. She brought the taste for these amusements with her to England. The first Christmas after her marriage she and her ladies acted a French pastoral at Somerset House, in which she took the leading part. "It would have been thought a strange sight once,"[77] commented sourly her new subjects.