Henrietta Maria, Queen, consort of Charles I, King of England, 1609-1669
But she was to be outwitted after all by Buckingham, who, whatever his
failings, was neither a tepid nor a dull-witted lover, and who was able to
gauge, pretty correctly, the spite of the woman he knew so well. Taking
advantage of his unbounded power with the King, he obtained the closure of
all the ports of England for a certain time, during which interval he
caused an exact replica of the stolen stud to be made, which, together with
the remaining studs, he dispatched to Anne. The Queen of France was thus
able to produce the jewels when her husband, their original donor, asked
for them, and the accusing stud which the malice of her enemies sent to
Paris was deprived of power to injure her.
It is not surprising that there were people at the Court of England who
disliked the young Queen's intimacy with Lady Carlisle. That lady, whose
talk with those of her own sex was ever of dress and fashion, had already,
it was rumoured, taught Henrietta to paint, and she would, no doubt, lead
her on to other "debaucheries"; but her influence seemed established. By
the royal favour she enjoyed a pension of £2000 a year, and Henrietta's
affection was so great that even when the Countess had the smallpox she
could hardly be kept from her side. The Queen was the convalescent's first
visitor, and a little later she permitted her favourite to appear at Court
in a black velvet mask, so that she might enjoy her society at an earlier
date than otherwise would have been possible, for it was not to be expected
that Lady Carlisle would show her face in the circles of which she was one
of the brightest ornaments until its beauty was fully restored. Such a
woman could not fail to arouse jealousy. Buckingham's relatives, who served
the Queen, feared and distrusted her, and perhaps her most formidable rival
in Henrietta's affection was the Duke's sister, the pious and cultured Lady
Denbigh, who, distasteful at first, had won her mistress' heart, and whose
long fidelity, which neither years nor exile could diminish, contrasts
favourably with the self-seeking of the more brilliant Lady Carlisle.
[Illustration: OLD SOMERSET HOUSE
FROM AN ENGRAVING AFTER AN ANCIENT PAINTING IN DULWICH COLLEGE]
Public-domain text, read in full here on John Shaqi.
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