Henrietta Maria, Queen, consort of Charles I, King of England, 1609-1669
Portland paved the way for the ascendancy which she gradually acquired over
his mind.
It was not to be expected that Henrietta's development of character, slight
and gradual though it might be, would escape the vigilant eyes fixed upon
her from across the Channel. Portland's death was a blow to Richelieu, who,
with a European war about to begin, could not afford the hostility of
England. He did not like Henrietta, but he was too acute not to appreciate
that her character was of the feminine type, which is largely dependent
upon personal influence, and he hoped that the removal of Chateauneuf and
Jars would lead to a return on her part to such sentiments as he conceived
to be fitting towards her native land, in other words, towards himself, for
to the Cardinal even more than to Louis XIV "l'Etat c'est moi." When he
heard how all the courtiers of England, and even the Archbishop of
Canterbury himself, were trying to win her favour, he felt that he must
take some pains to recapture her. His schemes--the details of which may be
read in the dispatches which he wrote and received--were not quite
unsuccessful. Henrietta, for a few years, did show a certain friendliness
towards him, and perhaps, had he complied at once with her wishes in
releasing Jars, he might have won her real friendship.[98] Her friends in
England were not neglected. The unstable Montagu, who at this time had
great influence over her, and who was attempting, quite unsuccessfully, to
make Richelieu forget the part he had played in Chateauneuf's schemes, was
rewarded for his shuffling by the offer of a pension, which, however, the
Queen thought it prudent he should refuse.[99] Certainly grievances of her
French servants were removed. Madame de Vantelet's pension was restored,
while in 1637 Francis Windbank, one of the Secretaries of State, who was
becoming involved in her schemes, was delicately asked to accept a present
in lieu of the less respectable pension.[100]
[Illustration: CHARLES I AND HENRIETTA MARIA
FROM THE PAINTING BY VAN DYCK IN THE GALLERIA PITTI, FLORENCE]
But Richelieu, in spite of all his schemes, was by now aware of one fact,
which redounds greatly to Henrietta's credit: he recognized that she would
never be an Anne of Austria, an alien and spy in the Court of her husband,
and that all he could hope for was to win her as a friendly ally who should
counteract in some degree the pro-Spanish tendencies of the King. "The
Queen of England," ran the instructions given to an ambassador who was
starting for London, "shows herself always very well disposed towards
France. But care must be taken, and she must not be required to act beyond
that which she considers may contribute to the common good of the two
crowns."[101]
Public-domain text, read in full here on John Shaqi.
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