Henry Fielding: a Memoir: Including Newly Discovered Letters and Records with Illustrations from Contemporary PrintsGodden, G. M. (Gertrude M.)
General
Henry Fielding: a Memoir: Including Newly Discovered Letters and Records with Illustrations from Contemporary Prints
Godden, G. M. (Gertrude M.)
Authors, English -- 18th century -- Biography; Fielding, Henry, 1707-1754; Fielding, Henry, 1707-1754 -- Correspondence
It is difficult to imagine that any party, in those days of comparatively
arbitrary power, would venture a public satire so unveiled and so menacing
as that of the _Register_, unless supported by some confidence in the
immediate fall of their opponents. Without such confidence the political
tactics of such an onslaught would be simple foolhardiness. Signs of these
false hopes are not wanting in the slight, but equally bold, satire on the
sycophants represented as composing Walpole's _levée_, which was shortly
added to the _Register_. This little sketch, in which a protest concerning
the damning, early in the year, of Fielding's ballad farce _Eurydice_ is
combined with the political satire, was advertised as follows:--
"EURYDICE HISS'D: or, a Word to the Wise, giving an Account of
the Rise, Progress, Greatness, and Downfal of Mr Pillage, ... with
the dreadful Consequence and Catastrophe of the whole." [9]
We have the authority of Tom Davies, at this time a member of Fielding's
company, for the statement that "Fielding in his _Eurydice Hiss'd_ had
brought on the Minister [Walpole] in a _levée_ scene" [10]; and as Pillage
is the "very great man" who holds the _levée_ in the fragment, the above
allusion to an expected downfall of Walpole's Ministry seems obvious.
Passages of similar import to the advertisement occur in the piece itself.
Thus the play is declared to convey a "beautiful image of the instability
of human greatness"; and the spectacle is promised of the 'author of a
mighty farce' at the pinnacle of human greatness and adored by a crowd of
dependants, become by a sudden turn of fortune, scorned, "deserted and
abandon'd."
The single scene of the play opens when Pillage is at the zenith of his
power; a stage direction orders that "The Lèvee enters, and range
themselves to a ridiculous tune"; a partition of places ensues under the
allegory of the business arrangements of a theatrical manager; and the
author explains that by this _levée_ scene he hopes that persons greater
than author-managers may learn to despise sycophants. Close on the heels
of the _levée_ comes the catastrophe. Not one honest man, Pillage sadly
admits, is on his side; as his 'shallow plot' opens out the first applause
changes to hisses; his farce is damn'd; and he himself is left consoling
the solitude of his downfall by getting exceedingly drunk on a third
bottle.
Public-domain text, read in full here on John Shaqi.
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