Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rdMerwin, Samuel
General
Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rd
Merwin, Samuel
Young men -- Fiction
Humphrey noted the quick little snap of amusement in Mrs Henderson's
eyes (Henry had not before openly used her first name) and the
demure, expressionless look that came over Corinne's face. Neither was
displeased.
To Mrs Henderson's, 'You'll do no such thing!' Henry responded
smilingly:--
'I won't be contradicted. Not to-day.'
Corinne was still silent. But Mrs Henderson, now frankly amused,
asked:--
'Why the to-day, Henry?'
'Oh, I don't know. Just the way I feel,' said he; and ushered her
with mock politeness into the front room, then, gallantly, almost
nonchalantly, took the elbow of the unresisting Corinne and led her
toward the kitchen.
Humphrey lighted a cigarette and watched them go. Then with a slight
heightening of his usually sallow colour, followed his hostess into the
living-room.
It will be evident to the reader that among these four young persons,
rather casually thrown together in the first instance, something of an
'understanding' had grown up.
There had been a furtive delight about their first gathering at
Humphrey's rooms, a sense of exciting variety in humdrum village life,
the very real and lively pleasure of exploring fresh personalities.
Of late years, looking back, it has seemed to me that Mildred Henderson
never really belonged in Sunbury, where a woman's whole duty lay in
keeping house economically and as pleasantly as might be for the husband
who spent his days in Chicago. And in bearing and rearing his children.
I never knew anything of her earlier life, before Arthur V. Henderson
brought her to the modest house on Chestnut Avenue. I never could figure
why she married him at all. Marriages are made in so many places besides
Heaven! He used to like to hear her play.
In those days, and a little later, I judged her much as the village
judged her--peering out at her through the gun-ports in the armour
plate of self-righteousness that is the strong defence of every suburban
community. But now I feel that her real mistake lay in waiting so long
before drifting to her proper environment in New York. Like all of us,
she had, sooner or later, to work out her life in its own terms or die
alive of an atrophied spirit. She had gifts, and needed, doubtless,
to express them. I can see her now as she was in Sunbury during those
years--little, trim, slim, with a quick alert smile and snappy eyes.
Not a beautiful woman, perhaps not even an out-and-out pretty one, but
curiously attractive. She had much of what men call 'personality.' And
she was efficient, in her own way. She never let her musical gift rust;
practised every day of her life, I think. Including Sundays. Which was
one of the things Sunbury held against her.
Public-domain text, read in full here on John Shaqi.
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