Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
Demi-lions passant or passant guardant are of more rare occurrence, the
latter generally in conjunction with another object, as in the arms
ascribed to the Cinque Ports on the seal of Sandwich (Fig. 103), where
the demi-lions are joined to the hulls of ships. This evidently arose
from the joining together by dimidiation or halving of two separate
coats, viz. the Arms of England with one of local allusion: Az. three
hulls of ships Or. By a similar method were evolved the Arms of the
city of Chester, wherein the lions of England are conjoined with the
wheatsheaves of the Earldom.
[Illustration: FIG. 103.--Seal of Sandwich (Mayor’s Seal).]
Among the separate parts of animals used alone or in repetition a
lion’s head is a frequent charge, and it follows the general rule of
being represented in profile unless otherwise described. The lion’s
leg, called a jamb, is also separately used as a charge, the tail being
likewise thus employed. It must be remarked, that whenever a separate
part of an animal is used as a charge the method of its severance must
be carefully distinguished, whether _couped_, cleanly cut off, or
_erased_, roughly torn away. In the latter case the erasure generally
consists of three points or tufts, though not necessarily of that exact
number so long as the erasure is sufficiently marked. It may, however,
be noted here that a demi-lion as a crest is considered to be couped
unless it is otherwise described, the junction with the helm usually
disappearing within the torse that encircles it at that point.
Animals that can neither be described as actual nor purely imaginary
are the so-called “heraldic” tiger and “heraldic” antelope, which have
little apparent relation to their natural namesakes, but were perhaps
evolved in the effort of an early artist to realize the wonderful
description of some marvellous traveller. They have a family likeness,
however, in their armed snouts and in their leonine tails, the latter
being an appendage with which the mediaeval artist was fond of
finishing off his creatures in default of more accurate information.
Public-domain text, read in full here on John Shaqi.
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