Herbals, Their Origin and Evolution: A Chapter in the History of Botany 1470-1670Arber, Agnes Robertson
History
Herbals, Their Origin and Evolution: A Chapter in the History of Botany 1470-1670
Arber, Agnes Robertson
Botany -- Europe -- History; Herbals -- Europe -- History
The personal character of Mattioli does not appear to have been a
pleasant one. He engaged in numerous controversies with his fellow
botanists, and hurled the most abusive language at those who ventured
to criticise him.
Another Italian herbalist, Castor Durante, slightly later in date
than Mattioli, should perhaps be mentioned here, not because of the
intrinsic value of his work, but because of its widespread popularity.
At least two of his books appeared in many editions and translations.
Durante was a physician who issued a series of botanical compilations,
bedizened with Latin verse. The best known of his works is the
‘Herbario Nuovo,’ published at Rome in 1585 (Text-figs. 45 and 103).
A second book, the original version of which is seldom met with, has
survived in the form of a German translation, by Peter Uffenbach. The
German version was named ‘Hortulus Sanitatis.’ As an illustration of
Durante’s charmingly unscientific manner, we may take the legend of
the “Arbor tristis” which occurs in both these works. The figure which
accompanies it (Text-fig. 45) shows, beneath the moon and stars, a
drawing of a tree whose trunk has a human form. The description, as it
occurs in the ‘Hortulus Sanitatis,’ may be translated as follows:
“Of this tree the Indians say, there was once a very beautiful
maiden, daughter of a mighty lord called Parisataccho. This maiden
loved the Sun, but the Sun forsook her because he loved another. So,
being scorned by the Sun, she slew herself, and when her body had been
burned, according to the custom of that land, this tree sprang from
her ashes. And this is the reason why the flowers of this tree shrink
so intensely from the Sun, and never open in his presence. And thus it
is a special delight to see this tree in the night time, adorned on
all sides with its lovely flowers, since they give forth a delicious
perfume, the like of which is not to be met with in any other plant,
but no sooner does one touch the plant with one’s hand than its sweet
scent vanishes away. And however beautiful the tree has appeared, and
however sweetly it has bloomed at night, directly the Sun rises in the
morning it not only fades but all its branches look as though they were
withered and dead.”
[Illustration: Text-fig. 45. “Arbor Malenconico” or “Arbor tristis” =
Tree of Sorrow [Durante, Herbario Nuovo, 1585].]
[Illustration: Text-fig. 46. “Apocynum” [Colonna, Phytobasanos, 1592].]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account