American fiction -- 20th century; Short stories, American
Bosworth continued to glance anxiously from one to the other of the four
people about the table. He was younger than any of them, and had had
more contact with the modern world; down in Starkfield, in the bar of
the Fielding House, he could hear himself laughing with the rest of the
men at such old wives’ tales. But it was not for nothing that he had
been born under the icy shadow of Lonetop, and had shivered and hungered
as a lad through the bitter Hemlock County winters. After his parents
died, and he had taken hold of the farm himself, he had got more out of
it by using improved methods, and by supplying the increasing throng of
summer-boarders over Stotesbury way with milk and vegetables. He had
been made a selectman of North Ashmore; for so young a man he had a
standing in the county. But the roots of the old life were still in him.
He could remember, as a little boy, going twice a year with his mother
to that bleak hill-farm out beyond Sylvester Brand’s, where Mrs.
Bosworth’s aunt, Cressidora Cheney, had been shut up for years in a cold
clean room with iron bars in the windows. When little Orrin first saw
Aunt Cressidora she was a small white old woman, whom her sisters used
to “make decent” for visitors the day that Orrin and his mother were
expected. The child wondered why there were bars to the window. “Like a
canary-bird,” he said to his mother. The phrase made Mrs. Bosworth
reflect. “I do believe they keep Aunt Cressidora too lonesome,” she
said; and the next time she went up the mountain with the little boy he
carried to his great-aunt a canary in a little wooden cage. It was a
great excitement; he knew it would make her happy.
The old woman’s motionless face lit up when she saw the bird, and her
eyes began to glitter. “It belongs to me,” she said instantly,
stretching her soft bony hand over the cage.
“Of course it does, Aunt Cressy,” said Mrs. Bosworth, her eyes filling.
But the bird, startled by the shadow of the old woman’s hand, began to
flutter and beat its wings distractedly. At the sight, Aunt Cressidora’s
calm face suddenly became a coil of twitching features. “You she-devil,
you!” she cried in a high squealing voice; and thrusting her hand into
the cage she dragged out the terrified bird and wrung its neck. She was
plucking the hot body, and squealing “she-devil, she-devil!” as they
drew little Orrin from the room. On the way down the mountain his mother
wept a great deal, and said: “You must never tell anybody that poor
Auntie’s crazy, or the men would come and take her down to the asylum at
Starkfield, and the shame of it would kill us all. Now promise.” The
child promised.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account