England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction
Mildred winced at this piece of unpalatable intelligence, but she only
replied quietly, 'Chrissy was afraid I should prove strict, I suppose.'
'Oh, don't let us talk of Chriss,' interrupted Polly, eagerly; 'she is
intolerable. I want to tell you about Roy. Do you know, Aunt Milly, he
wants to be an artist.'
'Richard hinted as much at dinner time.'
'Oh, Richard only laughs at him, and thinks it is all nonsense; but I
have lived among artists all my life,' continued Polly, drawing herself
up, 'and I am quite sure Roy is in earnest. We were talking about it all
the afternoon, while Chrissy was hunting for bird-nests. He told me all
his plans, and I have promised to help him.'
'It appears his father intends him to be a barrister.'
'Yes; some old uncle left him a few hundred pounds, and Mr. Lambert
wished him to go to the University, and, as he had no vocation for the
Church, to study for the bar. Roy told me all about it; he cannot bear
disappointing his father, but he is quite sure that he will make nothing
but an artist.'
'Many boys have these fancies. You ought not to encourage him in it
against his father's wish.'
'Roy is seventeen, Aunt Milly; as he says, he is no child, and he draws
such beautiful pictures. I have told him all about Dad Fabian, and he
wants to have him here, and ask his advice about things. Dad could look
after Roy when he goes to London. Roy and I have arranged everything.'
'My dear Polly,' began Mildred, in a reproving tone; but her
remonstrance was cut short, for at that instant loud sobs were
distinctly audible from the farthest room, where the girls slept.
Mildred rose at once, and softly opened the door; at the same moment
there was a quick step on the stairs, and Richard's low, admonishing
voice reached her ear; but as the loud sobbing sounds still continued,
Mildred followed him in unperceived.
'Hush, Chrissy. What is all this about? You are disturbing my father;
but, as usual, you only think of yourself.'
'Please don't speak to her like that, Cardie,' pleaded Olive. 'She is
not naughty; she has only woke up in a fright; she has been dreaming, I
think.'
'Dreaming!--I should think so, with that light full in her eyes, those
sickening German books as usual,' with a glance of disgust at the little
round table, strewn with books and work, from which Olive had evidently
that moment risen. 'There, hush, Chrissy, like a good girl, and don't
let us have any more of this noise.'
'No, I can't. Oh, Cardie, I want mamma--I want mamma!' cried poor
Chrissy, rolling on her pillow in childish abandonment of sorrow, but
making heroic efforts to stifle her sobs. 'Oh, mamma--mamma--mamma!'
'Hush!--lie silent. Do you think you are the only one who wants her?'
returned Richard, sternly; but the hand that held the bedpost shook
visibly, and he turned very pale as he spoke. 'We must bear what we have
to bear, Chrissy.'
Public-domain text, read in full here on John Shaqi.
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