A certain Frenchman once voiced the feeling of his fellow Parisians
concerning Réjane by calling upon all good French provincials, who
would learn the language of the Boulevards in a single lesson, and
all children of other lands curious as to the pleasures, tastes, and
manners of Paris, to harken while he gave them this advice: “Go and
see Réjane. Don’t go to the _Opéra_, where the music is German; nor
to the _Opéra-Comique_, where it is Italian; nor yet to the _Comédie
Française_, where the sublime is made ridiculous, and the heroes
and heroines of Racine take on the attitudes of bull-fighters and
cigarette-makers; nor to the _Odéon_, nor to the _Palais-Royal_, nor
here, nor there, nor elsewhere: go and see Réjane. Be she at London,
Chicago, Brussels, St. Petersburg--Réjane is Paris. She carries the
soul of Paris with her, wheresoever she listeth.”
[Illustration: GABRIELLE RÉJANE]
Madame Réjane--the Parisienne: they are interchangeable terms. And
what is a Parisienne? Let our sprightly French friend--M. Dauphin
Meunier--tell us; he does it well:[91]
“A fabulous being, in an everyday human form; a face, not beautiful,
scarcely even pretty, which looks upon the world with an air at
once ironical and sympathetic; a brow that grows broader or narrower
according to the capricious invasions of her aureole of hair; an odd
little nose, perked heavenward; two roguish eyes, now blue, now black;
the rude accents of a street-girl, suddenly changing to the well-bred
murmuring of a great lady; abrupt, abundant gestures, eloquently
finishing half-spoken sentences; a supple neck--a slender, opulent
figure--a dainty foot, that scarcely touches the earth and yet can
fly amazingly near the ceiling; lips, nervous, sensuous, trembling,
curling; a frock, simple or sumptuous, bought at a bargain or created
by a Court-dressmaker; a gay, a grave demeanor; grace, wit, sweetness,
tartness; frivolity and earnestness, tenderness and indifference: such
is Woman at Paris: such is the Parisienne.
“No need for her to learn good manners, nor bad ones: she’s born with
both. According to the time or place, she will talk to you of politics,
of art, of literature--of dress, trade, cookery--of finance, of
socialism, of luxury, of starvation--with the patness, the sure touch,
the absolute sincerity, of one who has seen all, experienced all,
understood all. She is as sentimental as a song, wily as a diplomat,
gay as folly, or serious as a novel by Zola. What has she read? Where
was she educated? Who cares? Her book of life is Paris; she knows
her Paris by heart; and whoso knows Paris can dispense with further
knowledge.”
Public-domain text, read in full here on John Shaqi.
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