In this competition Mlle. Legault won the first prize in comedy and
with it a post at the _Comédie Française_. Her departure left vacant
a scholarship of 1,200 francs. In the same competition her successor
to the scholarship was to be determined. Regnier had resolved to get
the scholarship, if possible, for Gabrielle. The professors who sat
in judgment were forbidden by a rule of the _Conservatoire_ to impart
personally any news of the outcome. Such information was to come
only from the administration. Regnier, however, conspired with his
favorite pupil to relieve her of suspense. If she were the successful
candidate for the scholarship he was to rub his nose as he left the
building. After the meeting, therefore, she stood anxiously in the
_porte-cochère_, awaiting her teacher and the behavior of his index
finger. Imagine the importance of the moment to the rather shabbily
dressed, not too well-fed, nervously anxious girl. To stay her hunger
as she waited she was eating bits from a long loaf tucked under her
arm. First came M. Legouvé, who, by a curious chance, rubbed his nose
briskly as he left the building. Then came MM. Beauplan and Ambroise
Thomas, and each, oddly enough, suddenly gave his nose a vigorous rub.
Gabrielle wondered, but could not believe that all these demonstrations
were for her. Finally, out came Regnier, smiling, and slowly rubbing
his nose with the end of his forefinger. For the moment the loaf of
bread had been forgotten. Now she waved it aloft, dancing about in an
ecstasy of joy.
The winning of the scholarship made it possible for Gabrielle to go
on with her studies in the two months’ interval that preceded the
reopening of the _Conservatoire_.
Francisque Sarcey was discerning enough to note the promise in this
sixteen year old girl. He said of her, in speaking to the playwright
Meilhac: “She has a face you would know as Parisian a mile off ... and
she is full of the devil. If this girl doesn’t make her way, I shall
be much surprised.... She is charming; she is piquant; and if I were a
manager I would engage her out of hand.”
To eke out the family income, Gabrielle had two pupils, youngster
though she was. They were young girls from Gascony, and it was her task
to cure them of their un-Parisian accent. She remembers that one day
when she was on her way to her pupils, the omnibus passed a church.
The crowd about the door, and the numerous flowers, denoted a funeral.
“They are burying Desclée,”[96] said a fellow passenger. Gabrielle had
seen Desclée in some of her notable successes:--_Froufrou_, _La Femme
de Claude_, _La Princesse Georges_--and had been stirred to renewed
ambition by her art. So now she was tempted to alight and pay her
respects to the dead actress’ memory; but she remembered her lesson,
and went on to her pupils.
Public-domain text, read in full here on John Shaqi.
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