And after all the conclusion does return to us from other than literary sources. You cannot conceive a builder of the fourteenth century hesitating as to the respective merits of Romanesque, Norman, First and Second Pointed; to him there was only one possible method, and he built, as he spoke, without calculation and without conscious effort, only knowing the joy of his work. So indeed we all speak and live when we are not bound by convention and acquired usages and manners, and you see that art, properly so called, takes its place in the great scheme of things; it is no studied contortion, no strange trick acquired by the late ingenuity of man, but as "natural" (and as supernatural) as the blossoming of a flower, and the singing of the nightingale. Art, indeed, is wholly natural, artifice is more or less acquired, the creature of reason, of experiment, of systematised intelligence. It is doubtful, I suppose, whether the natural, untaught man has of himself, by endowment, any artifice at all; doubtful, perhaps, whether, in the beginning, his artifice was not the product of his art; whether he did not learn to speak with artifice because he had received from nature the art of singing; certainly the child, entering the world, has not the inborn artifice of the swallow and the bee. This artifice, it seems, man has been forced to acquire by slow and painful degrees, and perhaps it only differs from the artifice of animals in that it has been aided and reinforced by imagination, that is by art, that is by the power the human soul possesses of projecting itself into the unknown, and adventuring in the realm of nothingness. Man, I mean, could never have invented the telephone, had he not first created it, had he not conceived the possibility of its existence, when as yet, it was non-existent, and so his artifice will always be progressive, and distinguished from the artifice of animals.