Highlands (Scotland) -- Fiction; Historical fiction; Scotland -- History -- 18th century -- Fiction
"Would have told Anne this evening. . .before she set out for the
Talberts. . .from there to send a doctor." All useless now, swept
away, as the Lord Purceville had swept away her mother's love, and
then her life.
And now, just as surely, she herself was being drawn into the heart of
that great spider's web, to be sucked dry and then discarded. She
remembered her mother's words: the man you most want to love, but in
the end must despise more than any.
Her spirit palled as the door of the plush carriage, like the padded
lid of a casket, sealed them in. Fear and cold and grief at last
overcame her, as she sloughed in near unconsciousness against the
known and unknown woman beside her.
But a moment before all was consumed in the black sleep of despair, a
tiny figure stood at the heart of the abyss and whispered a single,
heart-breaking word.
The figure was herself, and the word:
"Michael."
Twenty-One
Mary woke to find herself in a strange bed, with monogrammed sheets
and a broad, crimson canopy. She lay still and tried to realize all
that had happened. It was impossible. Her recollections of the night
before were so confused. . .and her present surroundings in such flat
contradiction to the naked exposure she felt. . .that the aura of
unreality remained.
She let out a bewildered breath, and pressing her fingers to her
temples, tried to reshape in some logical pattern the events of her
journey, and later installment in this room. Images came to her in
sharp detail, but would not arrange themselves to any firm order or
conclusion.
She saw again the pale interior of the carriage. Then through the
window, the grim Castle looming upon the promontory: above the mists,
beneath the moon
. She saw the drawbridge raised again behind them, and the spiked
portcullis lowered in the arch beyond. And then the great, hulking
form of a man, seated as if in Judgment upon a raised throne of oak at
the head of a long reception hall, hung with bright banners and fading
tapestry. She walked towards him, came closer, then stopped.
At this point, had she known it, she did in fact lose consciousness,
collapsing to the apparent (and unexpected) distress of her father. He
had been the first to come to her aid, and loudly summon a physician.
Afterward she had been taken to the rooms she now shared with her
aunt, who was stationed in the adjoining chamber.
A door opened in the wall to her right, calling her back to the
present. The widow Scott entered quickly, seeming no more assured or
at peace than herself. With a troubled look she approached the bed,
and took her niece by the hand.
"I fear we have made a serious mistake," she said.
The words were so obvious, and such a gross understatement of their
position, that the one reaction the girl felt capable of was
annoyance. The widow read this in her face, shook her head.
Public-domain text, read in full here on John Shaqi.
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