Highways and Byways in Cambridge and Ely — John Shaqi
Highways and Byways in Cambridge and ElyConybeare, John William Edward
History
Highways and Byways in Cambridge and Ely
Conybeare, John William Edward
Cambridgeshire (England) -- Description and travel; Isle of Ely (England) -- Description and travel
And if the outside view is impressive, that which greets us when we
enter is absolutely overpowering in its majesty. The sense of space
and repose; the up-running lines of the shafting catching the eye
whithersoever it turns, and leading it up to the myriad-celled spans
of the vault; the subdued light through the pictured windows staining
the venerable masonry; the great organ, upborne by the rich oaken
screen, dominating the whole vista, combine to form, as has been well
said, "a _Sursum Corda_ done into stone," uplifting indeed to heart
and sense alike. And when to this feast of visual harmony is added the
feast of aural harmony, when the clear and mellow voices of the Choir
blend with the majestic tones of the organ,
"And thunder-music, rolling, shakes
The prophets blazoned on the panes,"
we can understand how the inspiration of the scene has thrilled poet
after poet, not Tennyson only, as above quoted, but Wordsworth, and
even Milton, Puritan as he was, yet more. To the former King's College
Chapel suggested one of the most exquisite of his sonnets:
"Tax not the Royal Saint with vain expense,
With ill-matched aims the architect, who planned,
Albeit labouring for a scanty band
Of white-robed scholars only, this immense
And glorious work of fine intelligence.
'Give all thou canst! High Heaven rejects the lore
Of nicely calculated less and more.'
So deemed the man who fashioned for the sense
These lofty pillars, spread that branching roof,
Self-poised, and scooped into ten thousand cells,
Where light and shade repose, where Music dwells,
Lingering and wandering on as loth to die;
Like thoughts whose very sweetness yieldeth proof
That they were born for immortality."
And Milton, when he came under the spell of this most glorious
sanctuary, forwent all his conscientious objections to the Laudian
revival of ornate services, "the scrannel pipes of wretched straw,"
and all the rest of his denunciations, and was, in spite of himself,
carried away into forgetfulness of all save the glory and the beauty
around him. Hear him in "Il Penseroso":
"But let my due feet never fail
To walk the studious cloister's pale,
And love the high embowed roof,
With antique pillars massy proof,
And storied windows richly dight,
Casting a dim religious light.
There let the pealing organ blow
To the full-voiced choir below,
In Service high and Anthem clear,
As may with sweetness, through mine ear,
Dissolve me into ecstasies
And bring all Heaven before mine eyes."
[Illustration: _Clare College from King's._]
Public-domain text, read in full here on John Shaqi.
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